People who like shooting videos will possibly know the advantages of having a camera monitor. An ergonomics high-quality camera monitors will serve you for an extended period. You must be more careful when purchasing one because there are a lot of monitors on the market. Picking the correct choice can be a bit challenging so we’re gonna show you some of the Best Camera Monitors 2020 that are available on the market.
5 Best Camera Monitors 2020
1. Atomos Ninja Flame 7-inch
Atomos Ninja Flame 7-inch Camera Monitor
- Ninja Flame - Master Caddy II - 12V-3A AC Adapter - Atomos 1 Year Warranty - Atomos Power Kit
- Weight: 1.4 lbs (621g) With batteries and media: 2.3 lbs (1.1kg)
- Construction: High quality lightweight ABS Polycarbonate for durability & portability Built-in armor protection
- Operating Power: 10-24W
- Compatible Batteries: NP-F series and supporting accessories
The Atomos Ninja Flame is a 7-inch 1920×1200 on-camera recordkeeping monitor blending 4k recording with a 10-bit FRC panel that supports local display of HDR, log, footage as well as high brightness viewing of rec.709 footage. It employs an HDMI input to support write output signals at resolutions up to UHD 4k. Recording it to 2.5 inch SSD’s using 10-bit 422 Apple ProRes and David TNXHR codecs. The 10-bit panel and atom HDR display technology back a brightness area of over 10 stops. Enabling you to more precisely monitor your log gamma footage without having to view flat washed-out looking images or use a LUT to reduce the dynamic range and color space.
The monitor allows built-in presets to correctly translate popular log formats from Sony, Canon, Panasonic, Arri, red and JVC cameras. The settings only change viewing with recorded video continuing unaltered. In addition to HDR monitoring, the monitor also contributes a high bright mode for traditional rec.709 monitoring. This mode takes benefit of the full 1,500 CD/M squared brightness to provide more confident tracking in bright outdoor environments even without a Sun hood. In HDR mode use of an introduced snap-on Sun hood is needed as displaying a full brightness, range reduces the overall brightness of the monitor.
2. Convergent Design’s Odyssey 7Q+
Convergent Design Odyssey 7Q+ Camera Monitor
- 7.7" 1280x800 OLED Touchscreen Monitor
- SSDs in 128GB, 256GB, 512GB and 1TB sizes sold separately
- HD/2K/UHD/4K Recording over HDMI or SDI
- ProRes 422 HQ & Uncompressed DPX Formats
- 4K-Capable HDMI Input, 1080p HDMI Output
Convergent Design’s Odyssey 7Q+ is a monitor recorder that presents all of the characteristics and functionality of the Odyssey 7Q but adds support for 4K recording over HDMI. It highlights a 7.7-inch 1280×800 OLED touchscreen display with a 3400 to 1 contrast ratio. True blacks and professional monitoring highlights such as Waveform, Histogram, Vectorscope, Anamorphic D Squeeze and 3D LUT support. Out of the box, the Odyssey 7Q+ can record up to DCI 4k, 4096×2160 and ultra HD 3840×2160. In the compressed Apple ProRes 422 HQ format or up to 2k / 1080p using the uncompressed DPX file format. The titan extract option, which enables you to build multiple HD windows from a single 4K source, is included.
Additionally, it supports numerous raw recording options for ARRI, Canon, Sony and POV cameras, which are open for purchase or rental from convergent designs website. The Odyssey 7Q+ has two either 3G-SDI inputs 6G-SDI adaptability requires firmware v 2016.01.25 directional 3G – SDI connectors, which can be selected as inputs or outputs through menu selection. It also has a 4k capable HDMI input and an HDMI output that carries up to 1080p 3422. Most of the inputs and outputs are on the bottom of the monitor with a quarter-inch – 20 mounting wires on the sides. Dual SSD slots are presented for recording video – convergent design premium 2.5-inch SSDs, which grant high speeds, reliability and power loss protection.
3. Atomos Sumo
Atomos Sumo 19-inch Camera Monitor
- 19in high bright (1200 nit) 10-bit HDR monitor, 16:9 native aspect ratio, 1920x1200 resolution
- Accepts up to 4Kp60 or HDp240 over HDMI or the dual 12/6/3G-SDI inputs
- Realtime Exposure on set from Log for HDR & SDR
- Load an infinite number of custom LUT's onto SUMO19M via the HDD/SSD slot
- 1-Year Manufacturer's Limited Warranty
With its full bright, color-accurate 19-inch LCD screen and 4k recording skills. The Atomos Sumo can be performed to improve professional video workflows in both production and post-production. Onset, the Sumo’s HDR abilities allow cinematographers to realize more of a cinema cameras dynamic field when shooting in a log or raw arrangements. All the built-in monitoring devices are also congenial with the HDR rendering updating to contain the broader dynamic range. Additionally, the Sumo can record incoming DCI and UHD 4k video in numerous flavors of Apple ProRes or Avid DNXHR to master caddy to storage media.
With supported cameras, pro-resolution Raw/Raw HQ recording is also probable for more versatility in post-production. Back in the studio, the HDR abilities of the sumo are again useful. Allowing editors and colorists to see deeper into the obtained image information. The 10-bit image processing coupled with the 10 bit FRC capable LCD panel shows subtle degrees in recorded footage whether playing back straight from recording media or a connected computer. The display itself can be calibrated to preserve color accuracy over the Sumo’s lifetime.
4. SmallHD 502
SmallHD 502 On-Camera Monitor
- Limited 1-Year Warranty
The SmallHD 502 on-camera monitor highlights a full HD 1920 by 1080 LCD with a pixel density higher than the iPhone 6 the 5:02 is the sharpest five-inch camera-top monitor in the world. As far as color and contrast are concerned, the 5-inch display is again best-in-class. The 502 camera monitor’s LCD can provide 85% NTSC color gamut higher than the REC709 color standard challenging the color abilities of Oh LED technology.
The SmallHD 502 makes signal concocting simple using a custom-built engine the 5-inch field monitor will accept almost any resolution and frame rate from virtually any camera. Building upon the 3D LUT functionality of the DP7-pro series. The SmallHD 502 will allow shooters to utilize an even higher resolution more detailed 3D LUT in real-time. The use of a tool with this much processing power is magnified when you consider its shallow profile and compact size. The size of the 502 hits a sweet spot for tack sharp 1080p viewing while remaining remarkably space-efficient. Its size weight and resolution make it a beautiful option for DSLR shooters looking to attach it straight to the camera. While it’s sturdy mounting options and durability enable the display to be used on a gimbal or shoulder rig without adding bulk.
5. Atomos Shogun Inferno 7-Inch
Atomos Shogun Inferno 7-Inch Camera Monitor
1 used from $950.00
- 7" SuperAtom 325 PPI 1920x1200 IPS Touch Screen || Flame AtomHDR Sunhood.
- Atomos HPRC Custom Carry Case (hard shell).
- SSD/HDD Master Caddy II x 5, 5200mAh Battery x 2 (NP770 N,L), Single Fast AC Battery Charger 12V/2A.
- HDD/SSD Docking Station (USB 3.0 Only), D-Tap to DC Barrel coil cable, LockingCircular to Balanced XLR 2in/2out configurable, 12v 3A, Shogun DC Power Supply x2.
- NEW FIRMWARE AVAILABLE: New Firmware now compatible with Sony PS4 Pro HDR output for high quality game recording, also has bug fixes. Can be downloaded from Atomos website..
Atomas designed the all-in-one monitor recorder category and now redefines it with the Shogun Inferno. It is a mixture of the most advanced monitor technologies. It can record DCI and UHD 4K signals at up to 60fps and the Atomos Ninja Inferno makes a great companion to cameras and camcorders that output uncompressed video over HDMI.
The monitor itself emphasizes 10-bit FRC processing and atom HDR display technology that holds a 10 stop brightness range enabling you to see more carefully and monitor your log gamma footage without having to see flat washed-out looking images or use LUT to shrink the dynamic range in color space. The monitor grants built-in presets to accurately translate popular log forms from Sony, Canon, Panasonic, ARRI, Red and JVC cameras. The settings only concerned viewing with recorded video remaining unaltered.