To help you in your search, we’ve compiled a list of the Best Lenses for Nikon D5300, combined with features and price.
The Nikon D5300 is one of the leading mid-range DSLRs on the market today. It has a sensor with a resolution of 24.2 megapixels and comes equipped with a variety of features that are quite popular, such as built-in Wi-Fi and Full HD 1080p Video. Additionally, the camera does not have an anti-aliasing capability, which is available on other Nikon DSLRs such as the more mature D5200 and contributes to improved sharpness and detail. The list that follows contains our recommendations for the top lenses that are compatible with the Nikon D5300. These lenses include portrait lenses, telephoto zooms, wide-angle lenses, and all-in-one lenses. See the lens purchase advice that follows the recommendations for more background information.
Below are the top recommended lenses for Nikon D5300 DSLR camera. You can choose the one you need.
The Nikon 18-55mm VR II is a perfectly fine starting lens that will enable you to go out the door and start taking nice images in no time. When compared to the earlier version of the 18-55mm kit lens, the VR II is noticeably sharper and weighs just 6.9 ounces less than its predecessor. At the broad end (18mm), distortion is to be expected; however, the Nikon D5300 features an in-camera mode that automatically corrects for distortion, so this issue may be remedied. The lens also has considerable trouble focusing in low light, however, this is mitigated to some extent by Nikon’s technology that reduces vibration. However, because it only costs an additional one hundred dollars for the camera to come with the Nikon 18-55mm VR II, it is an appealing choice for novices.
Many photographers choose the convenience of carrying only one walk-around zoom lens rather than a collection of prime lenses, and the quality of products in this category has increased significantly in recent years. The Nikon 18-140mm f/3.5-5.6 offers a far larger zoom range than the 18-55mm lens mentioned earlier or the 18-105mm lens that comes standard with other Nikon DSLRs, and it also performs quite well. In addition to that, it has vibration-reduction capabilities. Weight and distortion are two of the issues that are caused by the 18-140mm lens (the Nikon D5300 does have an automatic distortion correction mode built into the camera). It is a difficult decision between this lens and the one below it, the 18-300mm, which has more than double the focal length range but is somewhat less sharp and slightly heavier.
The Nikon 18-300mm VR is a good choice for photographers who wish to cover practically the whole gamut of focal lengths without having to change lenses. The new version of this lens, which was released in 2014, is significantly more affordable and lighter than its predecessor. The sole difference between the two is that the maximum aperture at the long end of the lens is now f/6.3 rather than f/5.6. The modifications, on the other hand, are nearly all beneficial, and as a result, we consider it to be the best all-in-one lens available for the Nikon D5300. Surprisingly, it weighs even less than the Nikon 18-200mm lens that comes below it and is only two ounces heavier than the 18-140mm lens. The price was just reduced by $200, which is the icing on the cake.
Many photographers carry only one lens with them at all times because the Nikon 18-200mm VR II is such a versatile piece of equipment that it can be used for anything from wide-angle images to close-ups. This lens has a solid construction that is designed to last and produces photos that are crisp throughout its whole range. It also offers a zoom range that is similar to 27-30mm on a 35mm camera and has vibration reduction. The fact that the 18-200mm VR II lens does not quite have the reach necessary for some kinds of telephoto photography is the lens’s most significant drawback. Photographers who specialize in wildlife, for instance, frequently make use of the additional 100 millimeters of focal length that a lens such as the 18-300mm below has to offer. The 18-200mm lens, on the other hand, is an excellent option that can be used for both traveling and functioning as an all-in-one walk-around lens. Its pricing is also very reasonable.
We have been holding our breath in anticipation of the debut of a cheap Nikon wide-angle zoom that might compete with Canon’s 10-18mm f/4.5-5.6, but to this day, there has been no such product. In light of this, Nikon’s 10-24mm f/3.5-4.5 is considered to be the company’s greatest wide-angle lens for the DX format. Not only is it broader and sharper than any other lens of its kind, but it also performs very well when photographing landscapes and buildings. You may anticipate considerable distortion at the broad end of the zoom range, since this is the case with practically all wide-angle zoom lenses, and the low-light performance of these lenses is not as excellent as that of prime lenses. The zoom range, which is similar to 15-36mm on a 35mm camera and covers practically all of the relevant focal lengths from ultra-wide to a regular field of vision, is one of our favorite features of the camera, though.
The Nikon D5300 is a high-quality DSLR, and while you shouldn’t make too many concessions when it comes to the quality of your lenses, not everyone is a wide-angle photographer who has more than $800 to spend on equipment designed expressly for that reason. The Sigma 10-20mm f/4-5.6 is the best option available for individuals on a tight budget who are looking for an affordable wide-angle lens to use in conjunction with the Nikon D5300. You get a practical focal length range similar to 15-30mm and superb optical performance all around for the inexpensive price of $479. Why is the Nikon alternative cited above for a 10-20mm lens so much more expensive than the Sigma choice? The maximum aperture range of f/4-5.6 is usable but not ideal, and the Sigma has a greater softness in the corners of the frame than the other camera. In addition, while being made of plastic, the lens has a weight of almost 18 ounces.
If you are going to be using the Nikon D5300 for portrait photography, there are very few reasons why you shouldn’t bring along the Nikon 35mm f/1.8 lens. It is one of the greatest lenses in Nikon’s DX series since it is crisp, it works exceptionally well in low light, and it is relatively affordable. You won’t be able to find a prime lens that is better for travel, portraiture, or shooting everyday life. The Nikon 35mm f/1.8 lens, with the exception of its metal mount, has a plastic build that won’t last forever (although considering the price, this isn’t a very significant risk). This is one of the lens’ weaknesses. It is important to keep in mind that the focal length of this lens when mounted on the D5300 is 52.5mm on a 35mm camera. This results in a field of vision that is not wide-angle but rather conventional.
A fantastic prime lens at an affordable price, the well-known Nikon 50mm f/1.8 is comparable to the Nikon 35mm lens that was discussed earlier. The lens boasts a high degree of sharpness, is effective even in dim lighting, possesses a rapid and precise autofocus, and weighs just 6.6 ounces. Even though it is designed for FX cameras, the 50mm f/1.8 lens is entirely compatible with DX cameras such as the Nikon D5300, where it provides an effective focal length of 75mm.
Even though prime lenses are preferred by professionals, it’s difficult to criticize a top-tier zoom like the Nikon 16-85mm VR. This multipurpose lens has a focal length range that is similar to 24-127.5mm on a 35mm camera, which allows it to capture anything from wide-angle to medium telephoto portraiture. In addition to being crisp, it boasts autofocus that is quick and precise, less distortion than the majority of other zoom lenses of a comparable range, and vibration reduction for hand-held photography in dimly lit environments. When all aspects are considered, this lens is an outstanding choice for vacation photography, portraiture, and even weddings.
Nikon refreshed their tried-and-true 50-200mm VR lens in 2015 with the release of a new version of the lens. The new 50-200mm VR II is roughly an ounce lighter than its predecessor and, when it is not in use, it shrinks down to a shorter length. Since the primary specifications, including focal length and aperture, are the same, the choice ultimately boils down to cost. The only difference between the two is the appearance of the camera. We are more likely to go with the older version if it is a significant amount less expensive (it was around 120 dollars cheaper at the time of purchase). When stocks run out, the 55-200mm VR II will replace all other lenses as the go-to option for this focal length. Try using the 55-300mm lens below for increased reach.
The Nikon 55-300mm f/4-5.6 VR is the best telephoto zoom for DX-format cameras. It has a variable maximum aperture of f/4-5.6. The lens produces clear pictures with accurate colors and has vibration reduction technology built into it (camera shake can be an issue with long zoom lenses). We really like the additional 100mm zoom range, which may really come in when photographing wildlife and other subjects up close. The fact that this lens has a maximum aperture of f/4.5-5.6 is, of course, one of its major drawbacks. Even with the vibration reduction, this aperture range might be problematic in situations where there is not enough natural light. This lens, on the other hand, is an excellent option for photographers who focus largely on daylight subjects.