To help you in your search, we’ve compiled a list of the Best Lenses for Nikon D610, combined with features and price.
As the Nikon D610 is a wonderful camera that’s with the capacity of recording a lot of detail in images with rich tones, good publicity and enjoyable colors it is somewhat more expensive than the Canon 6D.
Those photographers who aren’t linked with Nikon by way of a stash of lenses might feel tempted to purchase the Canon camera instead. It could not have exactly the same pixel count because of the D610, which has fewer AF factors (11) and a slower maximum continuous shooting price (4.5fps), but it’s nevertheless extremely capable, produces superb pictures and contains Wi-Fi and GPS technologies built-in.
Existing D600 customers are liable to be employed by their way via the dirty sensor issue and so are unlikely to sense tempted simply by the D610. Those searching for their very first Nikon full-frame (FX) digital camera, however, will see that the D610 is a good choice.
The D610 comes with two primary kit options, and both of them have viable walk-around lenses that perform well in the majority of lighting circumstances. The Nikon 24-85mm VR is an excellent lens for travel photography as well as portraiture, making it an excellent choice for photographers who do not wish to carry and switch between a number of prime lenses. It has a field of view that is enough for photographing landscapes and a focal length range that encompasses the middle of the most common focal lengths for everyday use. When fully open, the corners of the image produced by the Nikon 24-85mm are noticeably less sharp. However, considering the price of the entire package, which is less than $600, it is a good alternative to many of the more expensive solutions listed below. You also have the option of adding the Nikon 70-300mm f/4.5-5.6 for a two-lens package, which is fantastic for those individuals who are looking for a straightforward and comprehensive camera bag at a cost that is affordable.
Because of the widespread adoption of all-in-one lenses for DX-format cameras, such as the 18-200mm and 18-300mm, Nikon developed the 28-300mm VR, particularly for the FX format. As of right now, it is the only all-in-one lens available for the FX format. The 28-300mm has significant distortion at the ends, as do most zoom lenses; nonetheless, it is crisp across the entirety of its zoom range and produces good shots overall. The Nikon D610 has an automated distortion reduction setting built into the camera, so this issue may be mitigated to some degree. Additionally, it offers a vibration reduction feature, which is useful for hand-held photography in low light. This is an outstanding lens despite the fact that it does not have a wide-angle capacity since a focal length of 28 millimeters is not ideal for shooting landscapes (we recommend either 21 or 24 millimeters instead).
Although it is difficult to disagree with the quality of the Nikon 14-24mm f/2.8 below, the Nikon 16-35mm f/4 is more affordable, has a lower weight, and covers a wider range of focal lengths. The major difference is that the latter has a maximum aperture of f/4, which means that the Nikon 14-24mm is definitely superior while working in low light. In all other respects, the Nikon 16-35mm is a high-caliber wide-angle zoom lens that is a wonderful complement to the D610. It also has vibration reduction, unlike the Nikon 14-24mm lens, which does not have this feature.
The Nikon 14-24mm f/2.8 is the best wide-angle zoom lens available for FX-format cameras because it creates images that are extremely crisp and have very little distortion. For a lens of this sort with a maximum aperture that is set at f/2.8, it also performs exceptionally well in low light. However, the price tag of over $2,000 is too costly for the majority of people; in fact, it is now more expensive than the cost of the body of the D610 camera. Although the 14-24mm is an excellent lens, we prefer the more affordable Nikon 16-35mm f/4 lens for use with the Nikon D610. You can find it above.
The manually adjusted focus The Zeiss 21mm f/2.8 Distagon is often regarded as the best wide-angle lens available; it features exceptional sharpness right up to the lens’s edges and nearly no visible distortion. The Nikon 14-24mm or the Nikon 16-35mm are good choices if you prefer autofocus, but the vast majority of people who experiment with manual focus discover that it is not only simple but also accurate and enjoyable. Although it weighs more than 21 ounces and is considered to be on the heavier side for a prime lens, many of the world’s most accomplished landscape photographers utilize the Zeiss 21mm.
The Nikon 24-70mm f/2.8 is Nikon’s top mid-range zoom lens. The 24-70mm is an excellent lens in terms of its optics since it maintains its sharpness throughout the entirety of its zoom range, records colors that are vivid, and focuses quickly and precisely. This is a professional-grade lens and very versatile for travel and everyday use (considering that it replaces a bag full of prime lenses, perhaps the weight isn’t as much of an issue). For those who don’t mind carrying a hefty 31.8 ounces, this is a lens that is great for both travel and everyday use.
A walk-around lens with an even larger zoom range than its predecessor, the Nikon 24-120mm f/4 is designed to follow in the footsteps of the 24-85mm f/4 that came before it. The additional 35 millimeters of focal length is highly beneficial for photographers who are interested in portraiture since it allows them to capture images ranging from wide-angle to medium-telephoto. This lens is substantially sharper than the 24-85mm, and it also boasts a faster focusing speed and vibration reduction technology. The Nikon 24-120mm is a cumbersome lens that weighs more than 23 ounces, and because it has a maximum aperture of f/4, it can struggle when there is not enough natural light. And due to the fact that it is not available in a bundle with the D610, the price is around $700 more than it would be for the 24-85mm lens. However, we are pleased with the performance of this lens considering its cost, and Nikon is demonstrating that large zoom ranges do not necessarily preclude the production of high-quality photographs.
For Nikon FX-format cameras, 35mm is a tough focal length, and the polarity of lens alternatives is the most obvious of any distance. The Nikon 35mm f/1.4 is a high-end lens that performs exceptionally well in low light and has great sharpness and bokeh (one notable shortcoming is its mostly plastic exterior). This lens is unnecessary for the vast majority of D610 users (the Nikon 24-70mm below is more versatile and similar in price). We’ve included the lens on this page because, in terms of its optics, it’s the very best 35mm lens for FX. On the other hand, the Nikon 35mm f/2 is a functional lens that can be purchased at a price that is more than acceptable.
When everything is taken into account, the Nikon 50mm prime lenses are among the greatest FX lenses now available. They are not only affordable but also incredibly crisp, light, and produce wonderful photographs. The Nikon 50mm f/1.8 is the more affordable of the two alternatives; it creates a bokeh that is pleasing to the eye, possesses autofocus that is both quick and accurate, and weighs less than 7 ounces. In the event that you want even higher performance in low-light conditions, the Nikon 50mm f/1.4 ($469) is the preferred option. You can’t go wrong with either model, and the decision comes down to how frequently and in what kinds of settings you want to utilize a 50mm lens.
The Nikon 70-300mm, which has a zoom range that is comparable to 105-450mm on DX-format cameras, offers a tremendous focal length range and is one of the greatest bargains of any FX lens. The most significant drawback is a maximum aperture of f/4.5; although the lens does include vibration reduction, photographers who regularly work in low light may consider purchasing the more costly Nikon 70-200mm f/2.8 lens that is described below. The Nikon 70-300mm is a fun and versatile long-range zoom lens that is entirely compatible with cameras that use the Nikon DX format.
The 70-200mm telephoto zoom lens for FX is available from Nikon in two distinct iterations, one of which has a maximum aperture of f/4, while the other of which has a maximum aperture of f/2.8. The f/2.8 is an excellent lens; but, for individuals who don’t want to make such a significant financial commitment or carry as much weight, the f/4 version is far more portable and costs $1,000 less. Both lenses contain a feature that reduces vibrations. The Nikon 70-200mm f/4 is an excellent choice for a telephoto zoom lens to match with the Nikon D610, provided that you don’t frequently photograph in low light. The Nikon 70-200mm f/2.8 is the preferred lens of both working photographers with sizable budgets and industry veterans.