14 Best Lenses for Nikon D7200

To help you in your search, we’ve compiled a list of the Best Lenses for Nikon D7200, combined with features and price.

The D7200 is Nikon’s premier digital single-lens reflex camera (DSLR) for crop-sensor images and is an outstanding camera overall. Many of the technical specifications are either identical to or comparable to those of the D7100; nevertheless, there have been significant upgrades made, including a faster-buffering speed, Wi-Fi and NFC connectivity, a significantly enhanced top LCD screen, and longer battery life. Following is a rundown of the top lenses that are compatible with the Nikon D7200. These prime and zoom lenses cover a range of focal lengths, from wide-angle to telephoto. In light of the high caliber of the camera, you won’t want to skimp on lenses, but in addition to the top-tier choices, we’ve compiled a list of many possibilities that are more accessible financially.

Below are the top recommended lenses for Nikon D7200 based on their good price, usefulness and high image quality. You can choose the one you need.

Best Lenses for Nikon D7200

Nikon D7200 Kit Lenses

1. Nikon 18-140mm f/3.5-5.6 VR

Because it is unlikely that you will purchase the D7200 in conjunction with a lens from a beginner’s kit, Nikon has omitted the more common 18-55mm and 18-105mm package options in favor of the 18-140mm VR. It is sharp, features vibration reduction, and has a significantly longer zoom range than any other zoom lens, with the exception of the all-in-one lens that will be discussed later. For these reasons, it is our pick for the best walk-around zoom lens in Nikon’s DX portfolio. The lens has a reach of 140 millimeters, which leaves many people wishing they had a genuine telephoto lens as part of their whole set-up. The lens weighs 17 ounces, which is pretty weighty but still reasonable for the type of lens it is. How much of a bargain is this set overall? The fact that you can save over $200 off of the price of the lens alone makes it an extremely appealing option for anyone who does not currently own DX lenses.

All-In-One Lenses

2. Nikon 18-300mm f.3.5-6.3 VR

If you have an all-in-one lens, you won’t need to switch out the glass in your lenses very often because you can cover almost the whole range of focal lengths. The Nikon 18-300mm VR is an extremely flexible lens that combines good image quality with unsurpassed convenience. Some common uses for this lens include trip photography and photography of children and events. The latest version of this lens, which was released in 2014, is both lighter and more affordable than the earlier type. The sole difference between the two is that the latest version has a maximum aperture of f/6.3 at the telephoto end rather than f/5.6. Surprisingly, the weight of the 18-300mm lens is actually lower than that of the 18-200mm lens that comes below it.

3. Nikon 18-200mm f/3.5-5.6 VR II

The Nikon 18-200mm VR II was widely regarded as the best all-in-one lens available for DX-format cameras for many years. This lens has a solid frame and is designed to last thanks to Nikon’s vibration reduction technology, which enables it to take sharp photos throughout its entire zoom range. Additionally, it offers an equivalent zoom range of 27-300mm. The fact that the 18-200mm VR II lens does not have sufficient reach for certain forms of telephoto photography is one of the lens’ most significant drawbacks. Photographers who specialize in wildlife, for instance, will most certainly want the additional 100 millimeters of focal length that either the 18-300mm or the 55-300mm have to provide. In spite of having a more limited zoom range, this lens is heavier than the 18-300mm. However, the 18-200mm VR remains an intriguing choice despite the fact that it costs less.

Wide-Angle Lenses

4. Nikon 10-24mm f/3.5-4.5

The 10-24mm f/3.5-4.5 is Nikon’s best-grade wide-angle lens for the DX format. It has a larger field of view and a sharper image than any other equivalent lens, making it a great choice for photographing landscapes and buildings. You should anticipate significant distortion at the broad end of the zoom range, and its performance in low light will not be as good as that of a prime lens. This is the case with almost all wide-angle zoom lenses. The zoom range, which is similar to 15-36mm on a 35mm camera and covers practically all of the relevant focal lengths from ultra-wide to a regular field of vision, is one of our favorite features of the camera, however.

5. Tokina 11-16mm f/2.8 DX II

If you are not a specialist in wide-angle photography but still want a solid lens for the D7200, the Tokina 11-16mm f/2.8 DX II is a wonderful option to the Nikon 10-24mm that was previously mentioned. First and foremost, it is more affordable while also providing improved performance in low light by a stop and a third. The lens has an unexpectedly high level of sharpness, making it an excellent choice for applications such as photographing weddings and landscapes. The most obvious drawback of this lens is its high level of distortion, which is most pronounced at the wide end but still present all the way through the 16mm setting (the Nikon D7200 does have a distortion correction model or you can use editing software on your computer).

Walk Around and Portrait Lenses

6. Nikon 17-55mm f/2.8

To begin, this is a very expensive DX lens; the price is comparable to what you may anticipate paying for a comparable FX (full frame) zoom lens. When it comes to the standard of excellence, this is the main aspect. Its comparable focal length range of 25.5-82.5 millimeters is meant to resemble the 24-70 millimeter f/2.8 lenses, which are extremely popular among both amateurs and professionals. It delivers just that from an optical standpoint, with exceptional performance in low light, great clarity, minimal distortion, and outcomes that can be difficult to attain with other DX zoom lenses. The price and the weight are serious problems, but other than that, we adore the 17-55mm f/2.8. Another thing to keep in mind is that we like this lens better than Nikon’s new 16-80mm f/2.8-4 below, which costs more than a thousand dollars, has subpar optics, and a lot of plastic in its construction.

7. Nikon 16-80mm f/2.8-4 VR

The new high-end D500 from Nikon comes with a kit lens consisting of a 16-80mm f/2.8-4 zoom lens. This lens, much like the 17-55mm f/2.8, is intended to mimic the performance of quick and versatile full-frame zooms. In this scenario, the 16-80mm is the same as having a 24-120mm lens on a 35mm camera. This is a common zoom range that is both longer and slightly wider than the lens that was just discussed. It is also significantly lighter and weighs roughly 9 ounces less than the 17-55mm, which is another advantage when compared to that lens’s price, which is lower by more than $400. The primary concern that we have with the 16-80mm is that the image quality it produces is not noticeably superior to that produced by the considerably more affordable 18-140mm f/3.5-5.6. Although the maximum aperture is two-thirds of a stop faster, the camera has a surprisingly large amount of distortion and seems like it’s made of plastic. The 16-80mm is a lens that we do not dislike per se; nonetheless, we do not consider it to be a real professional lens in the same vein as the 17-55mm or the 18-140mm.

8. Nikon 16-85mm f/3.5-5.6 VR

When compared to the kit lens with an 18-140mm focal length that costs $300, the 16-85mm VR lens that costs over $600 is difficult to suggest. The optical quality is comparable; the 16-85mm boasts good sharpness, quick autofocus, minimal distortion for a zoom lens, and vibration mitigation. On the other hand, it has only 85mm of reach, which is not quite as much as the other, and it weighs almost precisely the same as the other (the 18-140mm is .2 ounces heavier). When used by itself, the 16-85mm is a great walk-around and portrait lens for the D7200; however, when compared to the 18-140mm, it falls short. If you choose not to purchase the kit, the decision becomes more difficult; however, we recommend going with the greater zoom range.

9. Nikon 35mm f/1.8

The Nikon 35mm f/1.8 is an essential piece of equipment to have if you intend to use your D7200 for shooting travel or street photography. It is one of the greatest lenses in the DX lineup when compared to other lenses in terms of both weight and cost. It has a good level of sharpness, it works well even in dim light, and it is an excellent deal at less than 200 dollars. The Nikon 35mm has a plastic structure, which means that it won’t be able to withstand the test of time as well as other lenses, such as those with metal mounts. We wholeheartedly suggest this lens to anybody who thinks the focal length they need is covered by it, which isn’t a tremendous risk to take considering how inexpensive it is.

10. Nikon 50mm f/1.4G

We recommend the 50mm f/1.8 lens for practically all other Nikon crop-frame cameras when used at this focal length because of its fast aperture. However, this is the D7200, the most advanced model in the DX lineup. Because it is an FX lens, it can also be used on full-frame cameras (on the D7200, it has the same field of view as a 75mm lens), and photography enthusiasts will find the small depth of field and excellent low light performance of the f/1.4 to be particularly appealing. There are not really any flaws to speak of here: the lens focuses promptly and precisely, it is extremely sharp all the way to the corners, and it almost completely lacks distortion. It is true that spending $450 on a DX prime lens is a lot of money, but keeping in mind that we are discussing the D7200, we are talking about it. If you don’t anticipate shooting at this focal length very often but would still like the option of a prime lens, the f/1.8 aperture is a good option to consider.

Macro Lenses

11. Nikon 40mm f/2.8 DX Micro

Macro lenses are difficult to use, and selecting the one that is best for you depends heavily on the kinds of things you plan to photograph. The 40mm f/2.8 Micro is ideal for photographing stationary subjects that can be approached unobtrusively (flowers, food, or product photography). This lens has a lot going for it: it’s affordable, it’s crisp, and it can focus as close as 16.4 centimeters from whatever you’re shooting. Additionally, it is two-thirds of a stop faster than the Nikon 85mm f/3.5 lens that comes below it. Even though the focal length of the 40mm Micro lens is too short for true macro photography, it is still a very capable general-purpose lens that may be used to go very close to your subject.

12. Nikon 85mm f/3.5G DX Micro

The 85mm f/3.5 is Nikon’s premier DX Macro lens for objects that require some distance, making it ideal for photographers who take macro photographs outside, particularly of live things such as insects, animals, and flowers. The speed of this lens is significantly lower than that of the 40mm f/2.8 lens described before; however, it does have vibration mitigation to assist compensate for the difference. In addition to that, it sharpens really quickly. The Nikon 105mm f/2.8 is a superb FX lens that, despite its higher price, will shine with its image quality when used in conjunction with the D7200 for the greatest levels of macro photography possible. If you decide to upgrade to a full-frame camera in the future, that lens is compatible with Nikon’s full-frame bodies and has a focal length that is comparable to 157.5 millimeters when used with the D7200.

Telephoto Lenses

13. Nikon 55-200mm f/4-5.6 VR II

The reliable 50-200mm VR lens from Nikon received a significant improvement in 2015 when the company unveiled it. The newly designed 50-200mm VR II is about an ounce lighter than its predecessor. Additionally, it can be collapsed down when it is not in use, which makes it shorter. Since the primary specifications, including focal length and aperture, are equivalent, the choice ultimately boils down to cost. The only difference between the two is the appearance of the camera. If the older version can be had at a price that is appreciably lower than the newer one (at the time of publication, it was approximately $130 cheaper), then we might give it serious consideration. When stocks run out, the 55-200mm VR II will replace all other lenses as the go-to option for this focal length. Try out the 55-300mm lens below for increased reach.

14. Nikon 55-300mm f/4.5-5.6 VR

The Nikon 55-300mm VR is the best telephoto zoom lens for DX-format cameras currently available. It is crisp, can achieve focus in most situations within a reasonable amount of time, and features vibration reduction (camera shake can be an issue with long zoom lenses). We choose this Nikon 70-300mm lens because it has an additional 100 millimeters of focal length over the preceding Nikon 55-200mm lens, which can be useful when photographing wildlife and other subjects at close range. The maximum aperture of this lens is just f/4.5-5.6, which is a drawback, but if you want to take photos in normal lighting conditions, this is an excellent lens choice that has a very outstanding range.