To help you in your search, we’ve compiled a list of the Best Lenses for Nikon D750, combined with features and price.
The D750 is an excellent DSLR camera. Its AF program is fast and efficient, and its Matrix metering program is quite capable of delivering correct direct exposure in an array of situations also it produces images that have natural, yet vibrant colors.
Although it cannot provide the class-leading detail quality of the D810, the D750 is greater than a go-with for the D610 in this respect. It captures an extraordinary level of sharp details and sound is controlled properly – though not necessarily in addition to its main rivals.
It is also good to start to see the launch of a tilting display screen on a full-frame digital camera – it is a shame it isn’t fully articulating, but it is a move in the proper direction and on the weatherproof system.
The 24-120mm kit lens from Nikon is a good example of how the company’s kit lenses continue to get better. You get a flexible zoom lens with coverage ranging from wide-angle to medium telephoto for an additional cost of roughly $500 above and above what the body of the camera alone would cost. This lens features a good maximum aperture of f/4, and is substantially sharper than other zooms of a comparable range, with AF that is both quick and precise. In conclusion, the 24-120mm is an excellent travel and all-around lens that can be used with the Nikon D750.
Distortion is one of the most significant drawbacks of this lens, as it is with many zooms. Distortion is present pretty much throughout the entirety of its focal length range, however, you will be most aware of it while shooting at the wide and telephoto ends of the lens’s range. And in terms of how it performs in low light, an aperture of f/4 is adequate, but it is not on pace with faster prime lenses or professional zooms such as the 28-70mm f/2.8 that is below. We think that the 24-120mm kit is an excellent bargain for anyone who is considering purchasing the body for the D750. If you already have the camera, the next paragraphs will present you with some more tempting choices.
If you’re looking for a top-tier zoom lens that can cover everything from wide-angle to short telephoto, you should give the Nikon 24-70mm f/2.8 some serious consideration. It is one of the most popular lenses in the FX lineup, and with good reason: the lens maintains its sharpness throughout the entirety of its zoom range, focuses rapidly and precisely, and is constructed of a robust material. The adaptability of this lens is one of the things that attracts people to it the most, in addition to its excellent optical performance. The Nikon 24-70mm may take the place of a number of specialty prime and zoom lenses whether used for travel photography or portraiture. The weight of over 2 pounds and the price tag of nearly $2,000 makes it difficult to swallow, and it is clearly on the heavier side of things. In addition, the lens does not include vibration reduction, however considering that the maximum aperture is just f/2.8, this is not a significant absence.
When paired with the D750, the Nikon 16-35mm f/4 VR is an excellent choice that will let you to capture wide-angle photographs of a professional level without breaking the budget. The primary alternative to this lens is the Nikon 14-24mm f/2.8 below, which is an optically superior lens but is not guaranteed to be as affordable. To begin, the 16-35mm f/4 is available at a significantly reduced price. Second, it has a wider range of focal lengths and, despite the fact that it cannot match the ultra-wide angle of view at 14 millimeters, it has a more practical zoom range. Third, it is over 8 ounces lighter than the original. The maximum aperture of the 16-35mm lens is just f/4, which is adequate but not ideal for shooting in low-light conditions. This is the lens’s main flaw (the lens does have vibration reduction). Although none of these lenses lacks in sharpness and either choice is a safe one, we believe that the Nikon 16-35mm is a preferable option for the majority of photographers.
The Nikon 50mm f/1.4G is widely regarded as the company’s premier FX-format prime lens for portraiture. It boasts amazing bokeh, impressive autofocus speed and accuracy, and impressive performance even in low-light conditions. The 50mm prime lens has a maximum aperture of f/1.4 and weighs only ten ounces, making it substantially cheaper than comparable full-frame prime lenses with the same maximum aperture. Where does it fall short and why? It is unusual for Nikkor prime lenses to exhibit this characteristic, however, this lens exhibits significant barrel distortion, which is visible while shooting straight lines. The Nikon 50mm f/1.8 is yet another choice for the D750’s 50mm lens, and while it is more affordable, its performance in low light is not quite as excellent.
There is a wide selection of alternatives available for crop-frame cameras on the market, which includes a popular type of lens known as an all-in-one lens. At this time, the only all-in-one FX lens available is the Nikon 28-300mm VR, which can be used with full-frame cameras such as the D750. The lens is crisp throughout the entirety of its zoom range, focuses pretty quickly, and produces nice photos overall. However, you should expect substantial distortion at the extremities of the zoom range (although the Nikon D750 does have an in-built setting that corrects for distortion). The lens weighs more than 28 ounces, making it one of the heaviest on our list; yet, despite its weight, it is lighter than several of the zoom lenses, including the Nikon 24-70mm and the Nikon 14-24mm. The 28-300mm is also a fantastic deal because it allows you to avoid purchasing and swapping out various prime and zoom lenses for just over a thousand dollars.
People who are looking for a prime lens with a focal length of 35 millimeters and can afford it will find the Nikon 35mm f/1.8 to be a breath of fresh air. It was released a couple of years ago. In the past, the pricey Nikon 35mm f/1.4 was considered to be the best option available at this focal length, and it is possible that this is still the case for professional photographers who rely on this lens often. However, the version with an aperture of f/1.8 is our favorite since it possesses excellent clarity, rapid autofocus, passable bokeh, and a reasonable price of a little over $500. It is important to keep in mind that the lens, with the exception of its mount, is made almost entirely of plastic and, as a result, may have more problems with its longevity than the f/1.4. However, the plastic does assist in keeping it light at 10.8 ounces, and once more, we appreciate the reasonable pricing.
When paired with the D750, the Nikon 70-300mm VR is a superb choice for a telephoto zoom lens, and it offers one of the finest values of any FX lens. You may obtain photographs that are pretty crisp across its large zoom range for less than $600, along with vibration reduction that covers up to four stops and a Silent Wave Motor that focuses swiftly (most of the time). The greatest limitation of this lens is the range of its maximum aperture, which is f/4.5-5.6. Photographers who work professionally or who regularly photograph in dim light should look into the Nikon 70-200mm f/2.8 lens instead. However, for the vast majority of individuals who aren’t experts in telephoto photography, this is a telephoto alternative that comes at a reasonable price.
When Nikon released its 18-35mm f/3.5-4.5 lens a few years back, the company defied the trend of producing extremely high-priced wide-angle zoom lenses. The optics of this lens are far better than one might anticipate at this price range, featuring superb clarity, quick focusing, and less distortion than many of Nikon’s older wide-angle zooms. This lens is a huge hit with us, and we highly recommend it. Because this lens does not have vibration reduction, it is not the best option for taking pictures of sunsets or interiors that are softly illuminated because it performs poorly in low light. However, for the vast majority of other applications, this is an excellent method for acquiring a genuine wide-angle lens for the D750.
If 35mm is the focal length that you want, Sigma’s Art series has been making a lot of waves recently since it offers ultra-fast prime lenses at pricing points that are more affordable. The 35mm f/1.4 is around $600 less expensive than Nikon’s native 35mm f/1.4 lens while being very sharp and performing exceptionally well in low light. You have the option of going with the more affordable Nikon 35mm f/1.8 lens up top; nevertheless, we take advantage of the chance to shoot at f/1.4 whenever it presents itself, and this is especially true if you shoot at this focal length regularly.
Autofocus issues can arise when using the Sigma 35mm f/1.4 lens on Nikon camera bodies, just as they do when using other third-party lenses. Errors have been noted out of the box by a number of consumers, and these inaccuracies require either manual calibration or calibration using Sigma’s USB lens calibration dock. And while having an amazing build quality, this lens weighs in at a relatively substantial 2 pounds, which is unusual for a prime lens. However, if you are passionate about shooting at 35mm, we strongly suggest that you give serious attention to the Sigma Art series.
Our go-to choice for FX macro photography is the Nikon 105mm f/2.8 lens (Nikon uses the term “Micro”). This lens is capable of handling the bulk of your macro requirements due to its excellent clarity and minimum focusing distance of little more than 30 centimeters. Additionally, it functions as a short telephoto lens that also has vibration mitigation. The autofocus is normally quite quick and precise for both types of photography, the photographs are exceptionally crisp, and the performance in low light is comparable to that of other lenses of this type. The 105mm f/2.8 has a lot of plastic in its construction and is somewhat hefty at over 25 ounces, but the optics it produces are quite remarkable.
The 14-24mm f/2.8 is Nikon’s best wide-angle zoom lens, and it is a favorite among working photographers. If you are interested in landscape photography, you should consider purchasing this lens. This lens produces photos that are incredibly crisp across its whole range, swiftly focuses, and its maximum aperture of f/2.8 remains constant, making it a full stop quicker than the 16-35mm f/4 lens described above. You won’t find a wide-angle zoom that outperforms this one in terms of both image quality and performance in low light.
The Nikon 14-24mm should be placed higher on this list; why isn’t it? Both its price, which is close to two thousand dollars, and its weight, which is over thirty-four ounces, are significant drawbacks. You can also anticipate severe distortion at the wide end of the lens’s aperture range; however, this is to be expected with a lens of this sort and can be rectified in-camera using the D750. Taking everything into consideration, we recommend this lens more for a camera such as the D810 or the D5; the more affordable wide-angle lenses on our list should be sufficient for the majority of Nikon D750 customers. However, this in no way diminishes the great optical or general build quality of the device.
The Nikon 70-300mm f/4.5-5.6G ED VR fulfills the objective of providing telephoto capabilities without the requirement for a genuine professional lens for the majority of individuals. But if you want images of the highest possible quality, the 70-200mm f/2.8 is the only lens that can deliver it. In addition, considering that the Nikon 70-200mm f/2.8 VR II weighs a heavy 54.3 ounces, you might want to consider purchasing a tripod as well. Regardless of that drawback, this is the best-performing telephoto zoom lens that Nikon has to offer for anything from sporting events to school plays. The autofocus is really quick and precise, the lens has excellent sharpness and colors, very little distortion, and vibration reduction technology is included in it. When photographing wildlife, wildlife photographers will likely discover that a focal length of 200 millimeters is not sufficient for far-off subjects; yet, the FX alternatives get quite expensive as telephoto capability grows (for example, see the new Nikon 400mm f/2.8E). Check out the Nikon 200-500mm f/5.6 for additional reach, but at the expense of its performance in low light.
If you haven’t already acquired the D750 camera body, the 24-120mm kit lens that was just mentioned is our top recommendation. However, if you already possess the D750 and are searching for an affordable walk-around zoom lens, the Nikon 24-85mm is the next best option for you to consider. You can get an FX lens that is capable of shooting anything from wide-angle images to portraits for less than $500. The lens has no vibration reduction and the low-light performance is only adequate when set to f/3.5-4.5; one of the reasons it is so inexpensive is that this is one of the reasons. And in comparison to some of the best other zoom lenses, the 24-85mm has a greater degree of distortion as well as a softer overall quality, notably in the corners. However, it is an appealing choice to match with the D750 and a good entry-level lens for people who are on a tighter financial budget.