To help you in your search, we’ve compiled a list of the 13 Best Lenses for Sony A6300, combined with features and price.
The Sony A6300 retains a similar outward appearance to its predecessor, although the new camera does feature full weather sealing against dust and moisture ingress. But it’s under the toughened exterior where the biggest changes can be found. The A6300 can now capture Ultra HD 3840 x 2160 video at 30fps, along with Full HD 1080p content at 120fps. The 24.2MP sensor features a cutting-edge design that improves light sensitivity and enables the Sony A6300 to record at ISO 51200.
Autofocus performance is also extensively revised, and the camera features no fewer than 425 phase-detection AF points that cover almost the entire image frame. This helps ensure accurate subject tracking, and with the aid of Sony’s powerful Bionz X image processor, gives the A6300 a claimed focusing speed of just 0.05 seconds. Factor the Sony A6300’s extensive control customization, built-in Wi-Fi, improved 2.36-million dot viewfinder, and tiltable 922k-dot LCD screen
Below are the top recommended lenses for Sony A6300 mirrorless camera. You can choose the one you need.
For wide-angle zoom lenses, the Sony 10-18 mm f/4 OSS (35 mm equivalent of 15-27 mm) is a top option because it is very sharp, focuses easily, minimizes distortion with fast autofocus and weighs just 7.9 ounces. Furthermore, over the entire focal length spectrum, it has a fixed maximum aperture of f/4. It is one of the best options available for the best Sony E-mount lenses. Great for large deserts, interiors and shots of parties. And perfect in conditions of lower light, such as outside at dusk.
Excellent lens for the shooting of landscape! This Sony Zeiss FE 16-35 mm f/4 is one of the best FE-mount lenses for anyone from landscape professionals to those who want to only dabble in wide-angle photography: amazing sharpness, quick focusing, fair distortion speeds, and a weather-sealed construction for element safety. You should pick this one if you’re going to move up to a full picture!
A finely made, wide-angle prime lens with manual focus. The Zeiss Touit 12 mm f/2.8 lens (35 mm equivalent to 18 mm) is one of the very first options for wide-angle photographers and enthusiasts, particularly for landscape and architectural photography, with an angle of view of 99 degrees, fantastic image performance, outstanding sharpness & low light performance and lightweight. Sharp and quicker than the Sony 10-18mm.
Excellent value! Sigma 19 mm f/2.8 (35 mm equivalent of 28.5 mm) is a perfect wide-angle prime lens for Sony E-mount cameras. Lightweight, sharp & quick focus. In low light conditions, the maximum aperture of f/2.8 is powerful and capable of producing lovely shallow depth of field images. And it’s 150 bucks cheaper than the Sony 20mm f/2.8.
With a bright F1.8 maximum aperture, Optical SteadyShot (OSS) image stabilization and impressive image clarity, all in a remarkably small and lightweight box, this Sony 50 mm lens provides a focal length (equivalent to 75 mm on a 35 mm camera) that is ideal for portraiture and a variety of other subjects. The Sony 50 mm f/1.8 is sharp all the way to the corners, making this lens a killer low-light photographer for OSS and f/1.8! This is one of the greatest values of any prime Sony E-mount. Ideal for portraits, low-light imagery and headshots.
This Sony 35 mm f/1.8 OSS compact lens (35 mm equal to 52.5 mm) is a leading Sony E-mount lens which can be pointed to as the best low-light imaging lens on the market with a maximum f/1.8 aperture combined with Sony’s OSS image stabilization. It’s one of the Sony E-mount lenses that you require. For portraits, dim light, close up shots, videos and more, this Sony 35 mm f/1.8 OSS is an ideal lens.
This Sony 16-70 mm f/4 lens will provide outstanding image quality from landscape to portraits (equivalent to 24-105 mm in the 35 mm format) and is a great travel choice. In a high-performance mid-range zoom, the recent advancements in optical design technologies have made it possible to produce coveted Carl Zeiss contrast and transparency. This is the best one you need if you are looking for an exceptional regular zoom lens. This lens’s only drawback is its price ($998, the same price as the Sony A6300). If you can’t afford it, the budget choice for you would be the Sony 18-105 mm f/4 OSS, which has a longer range and a half price, but not so good optical performance.
This Sony 18-105 mm f/4 OSS (35 mm equivalent of 27-158 mm) zoom lens is cheaper than the Sony Zeiss 16-70 mm zoom above, and with more scope, a respectable option at a lower price point. For someone doing both videos and stills, this lens is really good value. For recordings, the power zoom is very quiet and quiet and the stabilization is very strong. The lens is very sharp from around f5.6 to f8 for stills, but a little more blurry and wide open. It creates pictures that are really interesting. And in Mirrorless Camera Lenses Category at Amazon US, she is the # 1 bestseller.
The Sony FE 70-300 mm f/4.5-5.6 G OSS lens is suitable for flying, landscape and wildlife shooting and has the longest range to date of any FE lens. The picture consistency, having said that, leaves us lacking. Not perfect near the edges for low light and softness.
Given its price, this Sony 55-210 mm (35 mm equivalent of 82.5-315 mm) is the best telephoto choice for the Sony E-mount lens. A superb combination of shape and function is provided by the Sony 55-210 mm lens: a large zoom range in a compact build that is lightweight and surprisingly comfortable to carry and work. It is lightweight and surprisingly easy to carry and operate, and when you choose to get up close from far away, it is ideal for sports or nature photography.
The full-frame 90 mm medium telephoto macro E-mount lens, designed for macro photography, features built-in image stabilization for sharp, transparent images at up to 1:1 magnification, even when shooting handheld images. With a floating focus system that suppresses aberration uniformly at all focusing distances, whether the target is far apart or incredibly near, sharp in-focus rendering is achieved. Finally, a stunning and durable structure with a dust and moisture tolerant nature adds to this fine optic’s overall consistency and longevity.
Ideal for daily photography! Get next to this full-frame 50 mm macro lens with a wide F2.8 aperture and a minimum focusing distance of 6.25 ‘(0.16 m) with a macro capability of 1:1. Even without a lens cover, the optical and mechanical construction of the lens has less reflection and ghosting. It can also be used where it has a 75 mm equal focal length on APS-C models.
A great all-rounder! The Sony 18-200 mm F/3.5-6.3 lens (35 mm equivalent of 27-300 mm)) will cover anything from sweeping parks and portraits to sports and wildlife. When natural light is poor, it has fast focus and captures sharp images and comes with OSS. It is exceptionally simple. Travel and step through the lens perfectly.