To help you in your search, we’ve compiled a list of the Best Lenses for Sony a6400, combined with features and price.
The new Sony A6400 is the fourth product in Sony’s series of mirrorless APS-C sensor cameras, joining the lineup of the A6000, A6300 and A6500.
In addition to the new BIONZ X image processor, it uses the same 24.2-megapixel sensor as the A6300 and A6500 cameras, which now allows the Alpha A6400 to record at ISO 102400. The A6400 will capture 3840×2160 4 K HDR (HLG) video at 30fps, along with 1080p Full HD content at 120fps, all without any recording length restrictions.
With the A6400 featuring 425 phase-detection and 425 contrast-detection AF points that occupy 84 percent of the entire camera frame, Autofocus efficiency has been further improved. This helps ensure precise subject tracking and gives the A6400 a claimed focusing speed of just 0.02 seconds, more than twice as fast as the A6500, with the assistance of Sony’s powerful Bionz X image processor.
In addition, the Sony Alpha A6400 provides real-time Eye AF and real-time AF monitoring with subject detection based on AI, which is activated by half-pressing the shutter button instead of using a custom button as on previous versions, and the AF now operates down to -2EV in low light. Sony says that both of these enhancements make the A6400 the best camera in terms of AF performance in both its APS-C and full-frame ranges.
A 180-degree tilting display with touchscreen operation, enhanced menu interface, built-in timelapse mode, 11fps continuous shooting with mechanical shutter continuous AF/AE monitoring and 8fps with the silent electronic shutter, Bluetooth communication, 1:1 aspect ratio for JPEGs, and improved peak function are other main new features.
Many videographers and vloggers use their weapons to secure their cameras out of them or mounted to a mini tripod. So, a wide-angle lens, preferably in the 10-25 mm range, is the right lens for vloggers. The best high angle zoom lens for vlogging is the Sony 10-18 mm f/4 zoom lens. And, while it is not wide enough, the Sony 18-135 mm & 18-105 mm will usually cover your specifications fairly well (if you have one and love it). Rode VideoMic, the Manfrotto mini tripod (perfect for seating on a desk), and a big memory card are our preferred accessories.
A great all-rounder! The Sony 18-200 mm F/3.5-6.3 lens (35 mm equivalent of 27-300 mm)) will cover anything from sweeping parks and portraits to sports and wildlife. When natural light is poor, it has fast focus and captures sharp images and comes with OSS. It is exceptionally simple. Travel and step through the lens perfectly.
For wide-angle zoom lenses, the Sony 10-18 mm f/4 OSS (35 mm equivalent of 15-27 mm) is a top option because it is very sharp, focuses easily, minimizes distortion with fast autofocus and weighs just 7.9 ounces. Furthermore, over the entire focal length spectrum, it has a fixed maximum aperture of f/4. It is one of the best options available for the best Sony E-mount lenses. Great for large deserts, interiors and shots of parties. And perfect in conditions of lower light, such as outside at dusk.
Great for photography of nature & activities! This Sigma 16 mm f/1.4 DC DN is a 24mm-equivalent prime for APS-C-format Sony E-mount mirrorless cameras, combining a convenient wide-angle configuration with an ultra-fast maximum aperture. In low-light settings, the wide f/1.4 maximum aperture excels and also provides better focus control for creating shallow depth of field results. It is really lightweight due to its small size! Quick Hybrid AF Smooth AF stepping motor during video recording.
A finely made, wide-angle prime lens with manual focus. The Zeiss Touit 12 mm f/2.8 lens (35 mm equivalent to 18 mm) is one of the very first options for wide-angle photographers and enthusiasts, particularly for landscape and architectural photography, with an angle of view of 99 degrees, fantastic image performance, outstanding sharpness & low light performance and lightweight. Sharp and quicker than the Sony 10-18mm.
With a bright F1.8 maximum aperture, Optical SteadyShot (OSS) image stabilization and impressive image clarity, all in a remarkably small and lightweight box, this Sony 50 mm lens provides a focal length (equivalent to 75 mm on a 35 mm camera) that is ideal for portraiture and a variety of other subjects. The Sony 50 mm f/1.8 is sharp all the way to the corners, making this lens a killer low-light photographer for OSS and f/1.8! This is one of the greatest values of any prime Sony E-mount. Ideal for portraits, low-light imagery and headshots.
This lightweight Sony 35 mm f/1.8 OSS lens (35 mm 52.5 mm equivalent) is a leading Sony E-mount lens which can be described as the best low-light photography lens on the market with a maximum f/1.8 aperture paired with Sony’s OSS image stabilization. It’s one of the Sony E-mount lenses that you require. For portraits, dim light, close up shots, videos and more, this Sony 35 mm f/1.8 OSS is an ideal lens.
The full-frame 90 mm medium telephoto macro E-mount lens, designed for macro photography, features built-in image stabilization for sharp, transparent images at up to 1:1 magnification, even when shooting handheld images. With a floating focus system that suppresses aberration uniformly at all focusing distances, whether the target is far apart or incredibly near, sharp in-focus rendering is achieved. Finally, a stunning and durable structure with a dust and moisture tolerant nature adds to this fine optic’s overall consistency and longevity.
Ideal for daily photography! Get next to this full-frame 50 mm macro lens with a wide F2.8 aperture and a minimum focusing distance of 6.25 ‘(0.16 m) with a macro capability of 1:1. Even without a lens cover, the optical and mechanical construction of the lens has less reflection and ghosting. It can also be used where it has a 75 mm equal focal length on APS-C models.
This Sony 16-70 mm f/4 lens will provide outstanding image quality from landscape to portraits (equivalent to 24-105 mm in the 35 mm format) and is a great travel choice. In a high-performance mid-range zoom, the recent advancements in optical design technologies have made it possible to produce coveted Carl Zeiss contrast and transparency. This is the best one you need if you are looking for an exceptional regular zoom lens. This lens’s only drawback is its expense. If you can’t afford it, the budget choice for you would be the Sony 18-105 mm f/4 OSS, which has a longer range and a half price, but not so good optical performance.
This compact Sony 16-50 mm lens (35 mm 24-75 mm equivalent) spans shooting ranges from true wide-angle to normal portrait length and is suitable for cycling, selfies and holidays on a regular basis. Although the f/3.5 limits your low-light shooting capacity, if you are on a budget, this Sony E 16-50 mm lens is a good, inexpensive choice.
This compact size Sony FE 70-200 mm f/4 G OSS (105-300 mm equivalent zoom range) provides excellent overall performance, covering a flexible telephoto zoom range that is suitable for portraits, action, sports, and more. The 70-200 mm lens uses a dual linear motor system and an internal focus mechanism to autofocus to catch fast-moving subjects. This quick and precise setup, particularly when combined with the built-in Optical SteadyShot image stabilization, provides sharp imagery. For less than half the rate, it is as bright as the f/2.8 edition, but not perfect when natural light is poor.
This Sony FE 70-300 mm f/4.5-5.6 zoom lens (105-450 mm equivalent zoom range) is ideally suited to a variety of telephoto uses, balancing both a flexible focal length range and a sophisticated optical architecture to preserve image quality. Ideal for travel, photography of landscapes and wildlife! With a minimum focusing distance of fewer than 3 feet (0.9 m) and a maximum magnification of 0.31x, it also has class-leading close-up efficiency, making it an excellent option for tele-macro photography. The picture consistency, having said that, leaves us lacking. Not perfect near the edges for low light and softness.