To help you in your search, we’ve compiled a list of the Best Lenses for Sony A6500, combined with features and price.
With full weather sealing against dust and moisture ingress, the Sony A6500 maintains a similar exterior appearance to its predecessor, but now has in-body 5-axis stabilization, a touch-enabled LCD screen, a wider buffer for continuous shooting, new C2 C1 custom buttons on the top plate, a high-durability shutter mechanism (up to 200,000 frames) and a revised menu interface. Along with Full HD 1080p content at 120fps, the A6500 can capture 4K 3840 x 2160 video at 30fps, and the 24.2MP sensor features a cutting edge architecture that allows the A6500 to record at ISO 51200.
The camera features no less than 425AF phase-detection points that cover almost the entire image frame, which helps ensure precise subject tracking, and gives the A6500 a reported focusing speed of just 0.05 seconds with the aid of Sony’s powerful Bionz X image processor. The Sony A6500 also provides comprehensive customization of power, built-in Wi-Fi, NFC and Bluetooth, a 2.36-million dot viewfinder, a 922k-dot LCD tiltable screen, and complete autofocus and auto-exposure 11 fps continuous shooting.
Below are the top recommended lenses for the Sony A6500 mirrorless camera. You can choose the one you need.
A great all-rounder! The Sony 18-200 mm F/3.5-6.3 lens (35 mm equivalent of 27-300 mm)) will cover anything from sweeping parks and portraits to sports and wildlife. When natural light is poor, it has fast focus and captures sharp images and comes with OSS. It is exceptionally simple. Travel and step through the lens perfectly.
With a bright F1.8 maximum aperture, Optical SteadyShot (OSS) image stabilization and impressive image clarity, all in a remarkably small and lightweight box, this Sony 50 mm lens provides a focal length (equivalent to 75 mm on a 35 mm camera) that is ideal for portraiture and a variety of other subjects. The Sony 50 mm f/1.8 is sharp all the way to the corners, making this lens a killer low-light photographer for OSS and f/1.8! This is one of the greatest values of any prime Sony E-mount. Ideal for portraits, low-light shooting and headshots.
This lightweight Sony 35 mm f/1.8 OSS lens (35 mm 52.5 mm equivalent) is a leading Sony E-mount lens which can be described as the best low-light photography lens on the market with a maximum f/1.8 aperture paired with Sony’s OSS image stabilization. It’s one of the Sony E-mount lenses that you require. For portraits, dim light, close up shots, videos and more, this Sony 35 mm f/1.8 OSS is an ideal lens.
The full-frame 90 mm medium telephoto macro E-mount lens, designed for macro photography, features built-in image stabilization for sharp, transparent images at up to 1:1 magnification, even when shooting handheld images. With a floating focus system that suppresses aberration uniformly at all focusing distances, whether the target is far apart or incredibly near, sharp in-focus rendering is achieved. Finally, a stunning and durable structure with a dust and moisture tolerant nature adds to this fine optic’s overall consistency and longevity.
Perfect for daily shooting! Get next to this full-frame 50 mm macro lens with a wide F2.8 aperture and a minimum focusing distance of 6.25 ‘(0.16 m) with a macro capability of 1:1. Even without a lens cover, the optical and mechanical construction of the lens has less reflection and ghosting. It can also be used where it has a 75 mm equal focal length on APS-C models.
This lens’s small size, robust 35 mm focal length, and excellent overall performance make it a perfect fit for E-mount lightweight 35 mm full-frame format bodies. This makes it handy anytime you want to distinguish the subject from the backdrop for portraits and sports photography. For less than half the rate, it is as bright as the f/2.8 edition, but not perfect when natural light is poor.
The Sony FE 70-300 mm f/4.5-5.6 G OSS lens is suitable for flying, landscape and wildlife shooting and has the longest range to date of any FE lens. The picture consistency, having said that, leaves us lacking. Not perfect near the edges for low light and softness.
For wide-angle zoom lenses, the Sony 10-18 mm f/4 OSS (35 mm equivalent of 15-27 mm) is a top option because it is very sharp, focuses easily, minimizes distortion with fast autofocus and weighs just 7.9 ounces. Furthermore, over the entire focal length spectrum, it has a fixed maximum aperture of f/4. It is one of the best options available for the best Sony E-mount lenses. Great for large deserts, interiors and shots of parties. And perfect in conditions of lower light, such as outside at dusk.
9. Sony Zeiss Vario-Tessar T* FE 16-35mm f/4 ZA OSS
Excellent lens for the shooting of landscape! This Sony Zeiss FE 16-35 mm f/4 is one of the best FE-mount lenses for anyone from landscape professionals to those who want to only dabble in wide-angle photography: amazing sharpness, quick focusing, fair distortion speeds, and a weather-sealed construction for element safety. You should pick this one if you’re going to move up to a full picture!
A finely made, wide-angle prime lens with manual focus. The Zeiss Touit 12 mm f/2.8 lens (35 mm equivalent of 18 mm) is one of the very first options for wide-angle photographers and enthusiasts, particularly for landscape and architectural photography, with an angle of view of 99 degrees, fantastic imaging performance, outstanding sharpness & low light performance and lightweight. Sharp and quicker than the 10-18 mm Sony.
Excellent value! Sigma 19 mm f/2.8 (35 mm equivalent of 28.5 mm) is a perfect wide-angle prime lens for Sony E-mount cameras. Lightweight, sharp & quick focus. In low light conditions, the maximum aperture of f/2.8 is powerful and capable of producing lovely shallow depth of field images. And it’s 150 dollars cheaper than the Sony 20mm f/2.8.
This Sony 16-70 mm f/4 lens will provide outstanding image quality from landscape to portraits (equivalent to 24-105 mm in the 35 mm format) and is a great travel choice. In a high-performance mid-range zoom, the recent advancements in optical design technologies have made it possible to produce coveted Carl Zeiss contrast and transparency. This is the best one you need if you are looking for an exceptional regular zoom lens. This lens’s only drawback is its price ($998, the same price as the Sony A6300). If you can’t afford it, the budget choice for you would be the Sony 18-105 mm f/4 OSS, which has a longer range and a half price, but not so good optical performance.
This Sony 18-105 mm f/4 OSS (35 mm equivalent of 27-158 mm) zoom lens is cheaper than the Sony Zeiss 16-70 mm zoom above, and with more scope, a respectable option at a lower price point. For someone doing both videos and stills, this lens is really good value. For recordings, the power zoom is very quiet and quiet and the stabilization is very strong. The lens is very sharp from around f5.6 to f8 for stills, but a little more blurry and wide open. It creates pictures that are really interesting. And in Mirrorless Camera Lenses Category at Amazon US, she is the #1 bestseller.