To help you in your search, we’ve compiled a list of the 19 Best Lenses for Sony a7 III, combined with features and price.
One of the most awaited Mirrorless Cameras to date is Sony’s 24.2-megapixel full-frame a7 III. As high-resolution as the Sony a7R, or as video-oriented as the Sony A7S, though not as specialized as the sporty Sony a9. It reflects a more extensive offering of full-frame cameras targeted to the broadest possible audience of photographic media in Sony’s Alpha 7 lineup. Originally launched in the spring of 2018, it took the world by surprise. In later years, it remains one of the limited mirrorless cameras to have a backlog of orders since the initial launch.
It is a rival to the Nikon D750 and Canon 6D Mark II. This camera is rated by Sony as their “simple” entry-level model. On paper, this camera, though, is far from simple. It is a competitor to the specs of flagship optical SLRs from only a few years ago and the best alternative for the multimedia sniper.
Below are the top recommended lenses for Sony a7 III mirrorless camera based on high image quality, good price and usefulness, including leading prime and zoom options from wide-angle to telephoto. You can choose the one you need.
The new Sony FE 85 mm f/1.4 GM Lens is the lens you need and you won’t find a better FE-mount lens for experienced portrait photographers and others who want the absolute best quality! In a compact box, the latest Sony FE 85 mm F1.4 GM telephoto prime lens, designed as the ultimate portrait lens, strikes a fine balance between resolution and bokeh. The perfect lens for portrait photography is ideal for a wide range of subjects! If you want a less costly 85 mm lens, consider the 85 mm f/1.8 Zeiss Batis.
Perfect Sony a7 III macro lens! The Sony 90 mm f/2.8 is the very right lens for those who regularly take macro photography and close-up portraits: outstanding sharpness, field depth, and color rendition. When shooting in low light, its maximum aperture of f/2.8 is effective and allows shallow depth-of-field focus. Fast autofocus action and a short minimum focus distance of 11′′ are provided by an internal focus system in which only the middle optical groups move when focusing.
In order to accurately correct for axial chromatic aberration at near focus, the new FE 50 mm F2.8 Macro lens features an ED (Extra-low Dispersion) glass that enables it to produce reliably sharp and high-quality images. Even without a lens cover, the optical and mechanical construction of the lens has less reflection and ghosting. The lens is also resistant to dust and moisture. For dealing with close-up subjects, true macro architecture offers a life-size, 1:1 magnification ratio along with a 6.3′′ minimum focusing distance.
Ideal for architectural, nature and interior photography, the 82 ° angle of view of this lens combines with a minimum focusing distance of 7.9 ‘for innovative views and exclusive close-up imagery. Bright f/2 maximum aperture benefits operating in low-light environments and, by using selective focus or shallow depth of field techniques, often allows control over the focus position.
Best Ultra-Wide Angle Prime Lenses for Sony a7 III
Great performance and a far better price than the native lenses. This 14 mm lens is a perfect choice for Sony shooters looking to get a unique viewpoint that is well suited to architecture, landscapes, and more, combining an ultra-wide view angle with a reasonably short f/2.8 aperture. UMC anti-reactive coatings, three Aspherical and two ED lens components combine to attenuate chromatic and spherical aberrations with high resolution from the middle to the corners of the picture for excellent image quality, contrast and color fidelity.
The Zeiss Batis 18 mm f/2.8 lens, an exceptional ultra-wide-angle prime lens exclusively designed for Sony E-mount full-frame mirrorless cameras, promises impressive sharpness and color rendition. The Batis 18 mm f/2.8 combines its incredibly wide 99 ° angle of view with a high degree of functionality and is extremely sharp all the way to the corners, ideally matched to interior, architectural, and astrophotography applications. This ultra-wide-angle lens’s very high field angle is ideal for imaginative images with uncommon viewpoints. Right in the corners, reliably outstanding picture quality makes the lens ideal for the demands of landscape, Astro and architectural imagery, for example.
This lens delivers consistent output over the zoom range and profits operating in low-light settings, characterized by its steady f/2.8 maximum aperture. This lens delivers consistently superb resolution from corner to corner, with incredible background bokeh when needed, no matter what zoom setting or focus distance you shoot at. For aggressive shooting, a portable, lightweight build makes it manageable. Shooting up close at F2.8 will create some exceptional bokeh in the background. Although retaining excellent optical performance, class-leading size and weight reductions have been achieved. Ideal for landscapes, art, portraits in close up, sports, action and much more.
The widest full-frame E-mount lens from Sony. The ultra-wide 12-24 mm range features cutting-edge refinements at all apertures for breathtaking corner-to-corner G Lens clarity, while silent, fast, reliable autofocus makes it perfect for both movies and stills. For landscapes and architecture, it is an ideal option and is compact, lightweight, and mobile, meaning it can go anywhere the great shots are without slowing you down.
The FE 35 mm f/1.4 ZA provides outstanding optical efficiency with a flexible 35 mm focal length, fast, sharp and loaded with the latest technologies. The quick f/1.4 maximum aperture offers very efficient low light and shallow field control depth capability. Corner to corner sharpness w/ Advanced Spherical components, Aperture ring designed for still or movie filming.
The new ROKINON 35 mm F1.4 AF Full Frame lens for Sony E is built to cater to enthusiasts and professionals who are willing to take the next step in wide-angle photography where the focus is excellent picture quality, contrast, color accuracy, high-resolution corner to corner. In challenging lighting conditions, the vivid F1.4 maximum aperture takes the tension out of working and provides shallow depth of field for a better focus control point, while the circular 9-blade diaphragm provides good bokeh in all environments. Ideal for photography in general!
For those looking for the best possible optical output for portrait, travel and event photography, or even basic daily shooting, the Sony FE 24-70 mm F2.8 GM Zoom Lens is the perfect option. This lens also has a dust/moisture resistant build, AF / MF switch, circular aperture, Nano AR coating, lightweight, a direct drive SSM (Super Sonic Wave Motor) focusing mechanism that is super smooth and quiet to optimize versatility, making it an excellent option for both still photographs and movies to be taken.
Sony a7 III Perfect Travel and Walkaround Lens. Sony’s latest FE 24-105mm F4 G OSS lens offers superb corner-to-corner sharpness over its entire zoom range, although at all focal lengths it also creates wonderfully made ‘bokeh’ or background defocus. In both still and video photography, this lens also features fast, accurate and quiet autofocus capability, making it an ideal complement for flexible shooting such as landscape, portrait, wedding, etc.
For portraiture, weddings and travel photography, this Zeiss Batis 135 mm f/2.8 mid-length telephoto prime lens is fine. The Sonnar optical style, defined as an apochromatic, helps to nearly eradicate chromatic aberrations and color fringing and gains overall sharpness and transparency as well. In addition, a T * anti-reflective coating has been used that, when operating in heavy lighting conditions, suppresses lens flare and ghosting.
A special 100mm mid-telephoto lens featuring STF (Smooth Trans Focus) technology that can lift portraits and subjects with G Master resolution to new artistic heights, benefiting from smooth background bokeh. It features fast, reliable, quiet autofocus DDSSM, and up to 0.25x magnification close-up capability. Built-in stabilization of Optical SteadyShot images minimizes distortion that can occur during low light or macro shooting.
This lens’s small size, robust 35 mm focal length, and excellent overall performance make it a perfect fit for E-mount lightweight 35 mm full frame format bodies. This makes it handy anytime you want to distinguish the subject from the backdrop for portraits and sports photography. For less than half the rate, it is as bright as the f/2.8 edition, but not perfect when natural light is poor.
The recently announced FE 70-300 mm f/4.5-5.6 G OSS lens is suitable for flying, landscape and wildlife photography and has a state-of-the-art optical architecture that comprises four aspherical glass elements, two ED (Extra-low Dispersion) glass elements and Sony’s Nano AR coating, both of which work together to efficiently eliminate spherical aberration, distortion and chromatic aberration. It guarantees stunning high-resolution results for both still and video recording in combination with Optical SteadyShot image stabilization.
In Sony’s flagship G Master series, the first super-telephoto zoom spans a flexible 100 mm to 400 mm spectrum with outstanding sharpness, fast AF and lightweight style. For a number of enthusiastic and experienced shooters, it is an extraordinarily effective photography instrument, especially those who typically shoot sports or wildlife.
A full-frame zoom range of 24 mm to 240 mm helps this lens to cover a wide range of shooting scenarios with an efficient zoom range of 10x, making it suitable for scenery, selfies, portraits and travel where baggage reduction is a necessity. The ability to turn from wide-angle to telephoto without moving lenses also suggests that it can catch more of those brief moments that make perfect shots. It is not super bright, it has healthy distortion levels, and the autofocus is mediocre. All in all, it is moderately priced and comfort is the ultimate option. And for those on a deficit, this is an okay option.
The Sony FE PZ 28-135 mm f/4 G OSS Lens is a wide-ranging zoom lens designed to fulfill 4K production specifications, covering wide-angle telephoto views and incorporating several features for your full-frame a7 cameras. The optical architecture of the G series is suitable for HD and 4 K filming.