Picking the very best lenses for vlogging is really a tricky job. It’s arguably even more complicated and essential than picking the very best digital camera for vlogging. The package lens that was included with your digital camera may basically complete the job, but to provide your vlogs that professional look, it really pays to take an action up from the basics and pick up a lens that’s especially suited to shooting video.
Once you pair this with a great camera and one of the best microphones for vlogging, you’ll have a setup that reliably produces great results.
For this manual, we’ve stuck to lighter APS-C and Micro Four Thirds systems since full-frame cameras are pitched more towards serious tripod-based filmmaking. We haven’t yet got any lens recommendations for the Nikon Z 50 since that it’s still in its infancy and doesn’t really have a lens range yet – the 16-50mm kit lens is a great way to start vlogging, though.
A good vlogging lens should confer advantages over a kit lens in a number of key ways. While a lens you buy might not necessarily fulfill all of these criteria, this is a good rundown of the kinds of considerations you need to be making when shopping for your vlogging lens.
What kinds of lenses are best for vlogging?
- A longer focal range: Vlogging can mean encountering the unpredicted, and may also mean needing to shoot all sorts of different subjects: the near and the distant, the big and the small, the shifting and the stationary. Having a broad focal range in one lens means you’re prepared for all of these situations.
- A wide maximum aperture: This provides two advantages: allowing more light into the sensor and thereby improving the footage you may get in low light, and also allowing for the creation of shallow depth of field, having a main subject matter pop against an artfully blurred background. This is especially good for doing items to camera or interviews.
- Fast, silent autofocus: When vlogging, you aren’t going to wish to be manually focusing all of the time, and that means having a lens with a capable autofocus system to keep up. However, you also don’t would like a noisy whirring autofocus system ruining the sound of your vlogs, so this means picking up a lens with an STM (stepping engine) autofocus system or similar.
- Size and excess weight: You don’t wish to be lugging around something that’s too heavy if you’re shooting handheld or on a gimbal.
- Optical stabilization: This can give you an edge in keeping your footage even yet in tough, low-light conditions.
- Power Zoom: Another fine feature when you can get it, helping to make your zoom actions even and polished without a few of the jerkiness that can result from doing it manually.
So simply because you can view, there’s too much to consider! We’ve factored each one of these stuff in and develop our checklist of the very best lenses for vlogging at this time. We’ve shopped around for lenses ideal for a variety of budgets and various mounts, therefore whatever your vlogging set up, there must be the right zoom lens for you.
Best Lenses for Vlogging in 2021
1. Sigma 16mm f/1.4 DC DN Contemporary Lens
11 used from $340.00
- Compatible with Sony E mount cameras
- Perfect for nature & event photography
- Large f/1.4 aperture for superb lowlight performance
- Compact size makes it very portable
- Fully accommodates Fast Hybrid AF
2. Sony - E 10-18mm F4 OSS Wide-angle Zoom Lens
$798.00 in stock
28 used from $599.99
- Angle of View (APS-C) - 109 ° – 76 °
- Minimum focal length of 10 mm (15 mm in 35 mm-camera equivalency)
- Minimum Focus Distance : 0.82 ft (0.25 m), Maximum Magnification ratio : 0.1x
- Superbly detailed images;Aperture Maximum: f/4 ; Minimum: f/22. 35mm equivalent focal-length (APS-C) : 15-27mm
- In-the-box:Hood (ALC-SH123), Lens front cap, Lens rear cap
3. Sony - FE 16-35mm F2.8 GM Wide-angle Zoom Lens
$2,098.00 in stock
6 used from $1,754.50
- Designed to achieve 50 Line pairs/mm resolving power
- Two XA (extreme aspherical) elements w/ high surface precision. Minimum focus distance - 0.28 m (0.92 ft). Maximum Magnification ratio (x)- 0.19
- Constant F2.8 max aperture maintains exposure and Depth of field. Hood Type : Petal shape, bayonet type; APERTURE BLADES: 11
- Uncompromising G Master design for smooth bokeh and high resolution. Angle of View (35 mm): 107°–63°
- In-the-box: hood, lens front cap, lens rear cap, case, Mount: Sony E-mount
4. Canon EF-S 24mm f/2.8 STM Lens
11 used from $119.95
- Wide angle lens for Canon APS C cameras (equivalent to 38 millimeter on a full frame camera)
- Focal length & maximum aperture: 24 millimeter 1:2.8, maximum magnification of x0.27
- Slimmest and lightest lens of the EF S series
- Circular aperture (7 blades) delivers beautiful, soft backgrounds
- Full time manual focus allows manual focus adjustment while in One Shot AF mode
5. Sony 18-135mm F3.5-5.6 OSS APS-C E-mount Zoom Lens
$548.00 in stock
24 used from $403.41
- 7.5x high magnification zoom/ 27-202.5mm (35mm equiv.) focal length. Lens Groups / Elements : 12-16
- Outstanding sharpness from 1x aspherical and 2x ED glass elements
- 7-blade circular aperture contributes to beautiful bokeh. Hood Type:Petal shape, bayonet type. Minimum focus distance- 0.45 m (1.48 feet)
- Optical SteadyShot image stabilization for sharper stills and video
- Fast, precise, quiet AF for high-speed stills and impressive video
6. Canon EF-S 10-18mm f/4.5-5.6 IS STM Lens
15 used from $223.85
- EF S ultra wide zoom lens. Drive System Lead screw and rack system driven by stepping motor
- Focal Length and Maximum Aperture: 10 18 millimeter,1:4.5 5.6
- Closest Focusing Distance: 0.72 feet. / 0.22 meter
- Stepping motor for noise free video shooting
- Optical image stabilizer
7. Olympus M.Zuiko Digital ED 12-100mm F4.0 Pro Lens
$1,199.00 in stock
8 used from $920.00
- Extensive zoom range of 24 to 200 millimeter (35 millimeter equivalent)
- 17 elements in 11 groups for outstanding resolution
- In lens image stabilization for 5 Axis Sync IS (with applicable cameras)
- Z coating Nano (advanced Zuiko extra low reflection optical coating)
- Weatherproof construction
8. Panasonic Lumix G Vario 14-140mm Telephoto Zoom Lens
1 used from $778.00
- Upgraded 14-140mm Lens – the LUMIX g Vario h-fsa14140 is an upgraded version of the LUMIX h-fs14140ak 14-140mm F3.5-5.6 (10x) telephoto zoom lens
- Micro four-thirds mount – durable metal MFT mount is compatible with Micro Four Thirds mount cameras, including Lumix g Mirrorless Digital Cameras
- Rugged lens design - durable splash*/dust-resistant construction ideal for heavy field use, while maintaining its stylishly compact and lightweight profile
- Power O.I.S. - Optical image Stabilizer quickly and effectively compensates for small, fast movements even in low-lit situations
- Quality optics - comprised of 14 elements in 12 groups, This lens features three aspherical lenses and two ED (extra-low dispersion) lenses, while efficiently minimizing distortion and chromatic aberration
9. Canon EF-M 18-150mm f/3.5-6.3 IS STM Lens
9 used from $295.00
- Canon EF-M 18-150mm f/3.5-6.3 IS STM Lens (Graphite)
- Diagonal Angle of View: 74°20' - 27°50'
10. Fujinon XF16-55mmF2.8 R LM WR
5 used from $816.10
- Optically designed to draw out the maximum image quality of a flagship standard zoom lens Angle of view 83 2°- 29°
- Focal length(35mm format equivalent) f=16-55mm (24-84mm) Focus range Normal - 0 6m - ∞(whole zoom position) Macro - 30cm - 10m (Wide) 40cm - 10m (Telephoto)
- High-speed, quiet auto focus thanks to the Linear Motor Weight, excluding caps and hoods 1 44 pounds (655g)
- Weather resistant design with 14 sealing points dust-resistant and -10 Degree low-temperature operation
- Nano-Gi coating technology 9 rounded blade aperture diaphragm help create smooth and circular bokeh Max Magnification 0 16x (telephoto)