To help you in your search, we’ve compiled a list of the 10 Best Micro Four Thirds Lenses, combined with features and price.
Both Panasonic and Olympus cameras can use Micro Four Thirds lenses, so you can use the Olympus Micro Four Thirds (sometimes shortened to MFT or M43) lenses on Panasonic cameras, and vice versa. There are plenty of Micro Four Thirds lenses available on the market, made by Panasonic, Olympus, Sigma, Samyang, Voigtlander, Leica and many others, and all Micro Four Thirds lenses are fully compatible with either brand of camera. Keep in mind that Micro Four Thirds cameras have a 2x crop factor, meaning that a 25mm lens will behave like a 50mm lens on a 35mm camera.
Here are the top recommended Micro Four Thirds lenses for Olympus and Panasonic cameras, including leading prime and zoom options from wide-angle to telephoto. You can choose the one you need.
10 Best Micro Four Thirds Lenses
1. Panasonic Lumix G X Vario 12-35mm f2.8 II Asph Power OIS
Even so, the lens is not lightweight in terms of build quality, with robust and weather-sealed construction. Centre-sharpness is excellent throughout the zoom range, even when shooting wide-open at f/2.8, and corner-sharpness also becomes impressive at f/4 and narrower apertures. It’s the best Micro Four Thirds lens for everyday shooting, with the bonus of effective optical stabilization.
2. Panasonic Leica DG Nocticron 42.5mm f1.2 Asph Power OIS
This zoom lens fights back with a super-fast f/1.2 aperture ranking, which helps to decrease the depth of field and present soft, creamy background blur in portraiture, along with enabling quick shutter speeds even under boring light. And for when you wish to utilize narrower apertures, there’s furthermore optical stabilization, which is almost unusual in f/1.2 lenses. The image quality is completely sumptuous. For portraiture on MFT digital cameras, this is actually the best lens on the market. It’s seriously costly but, on the other hand, Canon’s 85mm f/1.2 full-frame ‘portrait’ lens is getting on for twice the price.
3. Panasonic Lumix G X Vario 35-100mm f2.8 II Power OIS
As with the Panasonic 12-35mm f/2.8, you need to stop down to f/4 before corner sharpness really gets into its stride, but overall levels of sharpness and other image quality attributes are outstanding.
4. Panasonic Lumix G Vario 14-140mm f3.5-5.6 ASPH Power OIS
The Panasonic Lumix G Vario 14-140mm f/3.5-5.6 II ASPH Power OIS includes a powerful 10x zoom vary and a highly effective 28-280mm focal duration. Unlike comparable lenses for full-frame digital cameras, it’s wonderfully small and lightweight, however, retains optical picture stabilization that’s commonly within superzooms. Better still, some superzooms compromise image high quality and only a big zoom aspect, the Panasonic delivers quite good sharpness and comparison throughout its whole zoom range, even though shooting wide-open.
5. Panasonic DG Vario-Elmar 100-400mm f4-6.3 Asph Strength OIS
100-400mm gives powerful telephoto get to on a full-body camera but, in MFT terms, you obtain an impressive ‘effective’ maximum focal length of 800mm. As we’ve come to expect from Panasonic’s up-market lenses, the Panasonic DG Vario-Elmar 100-400mm f4-6.3 Asph Power OIS is sturdy, robust, and meticulously engineered. Highlights include a fasten for the zoom ring and an autofocus range limiter switch. The effective optical image stabilizer is very worthwhile, given the huge effective focal lengths on tap.
Even though the lens weighs nearly a kilogram, it’s still sufficiently lightweight for prolonged periods of handheld shooting. For added comfort and ease and stability, the lens comes complete with a mounting foot for well-balanced use on a tripod or monopod. Image quality will be superb, with great sharpness right around the utmost 400mm zoom placing. The f/6.3 aperture rating at the long end of the zoom vary is relatively ‘gradual’ but quite typical because of this class of super-telephoto zoom lens.
6. Olympus M.ZUIKO DIGITAL ED 7‑14mm 1:2.8 PRO
Like various other lenses in the M.ZUIKO Professional line-up, it’s immaculately proven, with fabulous construction. Comparison and sharpness are excellent, while color fringing and distortions are usually negligible. Much like many ultra-wide lenses, nevertheless, the hood will be built-in therefore there’s no filtration system attachment thread.
7. Olympus M.ZUIKO DIGITAL 25mm 1:1.8
Image quality is impressive in all respects. Considering the prices of Canon and Nikon 50mm f/1.8 lenses for full-frame cameras, the Olympus doesn’t look terrific value. However, its performance fully justifies the high cost.
8. Olympus M.ZUIKO DIGITAL ED 60mm 1:2.8 MACRO
Another bonus is without a doubt that the 2x crop aspect of the MFT format effectively improves the maximum magnification aspect from 1:one to two 2:1 or dual life-size. The excellent high quality of the weather-sealed design is a credit score to Olympus’s line-up of ‘Superior’ lenses, and the sensible focus length/magnification indicator is really a bonus. Image high quality is great in general, and the electronically coupled ‘fly-by-wire’ focus band operates with smooth accuracy. It’s ideal for macro focusing, where you’ll often want to focus manually. All things considered, this is unquestionably the best macro lens in the marketplace for the MFT program.
9. Olympus 75mm f1.8 M.ZUIKO
10. Olympus 12-200mm f3.5-6.3 M.Zuiko