To help you in your search, we’ve compiled a list of the Best Sony Full Frame E Mount (FE) Lenses, combined with features and price – We pick the best FE-mount lenses for Sony full-frame mirrorless cameras (Sony a7R IV, a7R II, a7S II, a7 II, a7R, a7S, a7) including leading prime and zoom options from wide-angle to telephoto.
In the photography community, Sony’s full-frame mirrorless cameras have created a lot of hype, and with each rendition, they continue to develop. It is true that Sony’s FE lens choices are much more minimal than the Canon and Nikon camera offerings, but in 2019, the range is growing and even more exciting than even a year earlier. We break down the best Sony FE (full-frame) lenses below, including wide-angle zooms and telephoto primes. There are plenty of high-end choices that should make even the most discerning photographers happy, considering Sony’s powerful partnership with Zeiss.
Below are the top recommended Sony FE mount Lenses (taken into account performance, portability, and value for money). And, in this article, we will concentrate on native full-frame E-mount FE lenses for Sony a7, a7R, a7S, a7II, a7RII, a7SII, a9 mirrorless cameras.
Best Sony Full Frame E-Mount (FE) Lenses
Portrait Prime Sony Full Frame E Mount (FE) Lenses
1. Sony FE 85mm f/1.4 GM Lens
Macro Sony Full Frame E Mount (FE) Lenses
2. Sony FE 90mm f/2.8 Macro G OSS
For anyone who often takes macro photography and close-up portraits, the Sony 90 mm f/2.8 is the perfect lens: outstanding sharpness, depth of field and color rendering. Its maximum aperture of f/2.8 is useful when shooting in low light and enables a shallow depth-of-field focus. An internal focus system in which only the middle optical groups shift while focusing offers quick autofocus action and a short minimum focus distance of 11′′. Great macro lens for the Sony A7 range of mirrorless cameras.
3. Sony FE 50mm f/2.8 Macro
The new FE 50 mm F2.8 Macro lens uses an ED (Extra-low dispersion) glass to efficiently correct for axial chromatic aberration at close focus, allowing sharp and high-quality images to be produced consistently. True macro architecture offers a life-size 1:1 magnification ratio along with a 6.3′′ minimum focusing gap for dealing with close-up subjects. The lens is also resistant to dust and moisture.
Wide-Angle Prime Sony Full Frame E Mount (FE) Lenses
4. Zeiss Batis 25mm f/2
Ideal for architectural, nature and interior photography, the 82 ° angle of view of this lens combines with a minimum focusing distance of 7.9 ‘for innovative views and exclusive close-up imagery. Bright f/2 maximum aperture benefits operating in low-light environments and, by using selective focus or shallow depth of field techniques, often allows control over the focus position.
Ultra-Wide Angle Prime Lenses
5. Zeiss Batis 18mm f/2.8
The Zeiss Batis 18 mm f/2.8 lens, an exceptional ultra-wide-angle prime lens exclusively designed for Sony E-mount full-frame mirrorless cameras, promises impressive sharpness and color rendition. The Batis 18 mm f/2.8 combines its incredibly wide 99 ° angle of view with a high degree of functionality and is extremely sharp all the way to the corners, ideally matched to interior, architectural, and astrophotography applications. This ultra-wide-angle lens’s very high field angle is ideal for imaginative images with uncommon viewpoints. Excellent image consistency reliably even in the corners makes the lens fine.
Standard Prime Lenses
6. Sony Zeiss FE 35mm f/1.4 Distagon T*
The FE 35 mm f/1.4 ZA provides outstanding optical efficiency with a flexible 35 mm focal length, fast, sharp and loaded with the latest technologies. The quick f/1.4 maximum aperture offers very efficient low light and shallow field control depth capability. Corner to corner sharpness w/ Advanced Spherical components, Aperture ring designed for still or movie filming.
7. Sony Zeiss FE 50mm f/1.4 Planar T*
The Planar T * FE 50 mm f/1.4 ZA Lens from Sony is easy to see as a go-to standard optic for full-frame E-mount shooters with its normal viewpoint, fast maximum aperture, and high-end style. For beautiful bokeh, the vivid F1.4 maximum aperture delivers a superb low light output and contributes to the 11-blade aperture and aspheric components. It has better low light performance and bokeh compared to Sony Zeiss FE 55 mm f/1.8: superior image clarity, outstanding sharpness, smooth bokeh and well constructed.
Standard Zoom Lenses
8. Sony FE 24-70mm f/2.8 GM
The best lens for 24-70 mm by far! For those looking for the best possible optical output for portrait, travel and event photography, or even basic daily shooting, the Sony FE 24-70 mm F2.8 GM Zoom Lens is the perfect option. This lens also has a dust/moisture resistant build, AF / MF switch, circular aperture, Nano AR coating, lightweight, a direct drive SSM (Super Sonic Wave Motor) focusing mechanism that is super smooth and quiet to optimize versatility, making it an excellent option for both still photographs and movies to be taken.
9. Sony Zeiss FE 24-70mm f/4 ZA OSS
The FE 24-70 mm f/4 ZA OSS lens would be a perfect alternative for you if you can’t afford the FE 24-70 mm f/2.8 GM lens!
Wide-angle Zoom Lenses
10. Sony FE 16-35mm f/2.8 GM
Amazing wide-angle zoom lens, fast and versatile! This lens delivers consistent output over the zoom range and profits operating in low-light settings, characterized by its steady f/2.8 maximum aperture. This lens delivers consistently superb resolution from corner to corner, with incredible background bokeh when needed, no matter what zoom setting or focus distance you shoot at. For aggressive shooting, a portable, lightweight build makes it manageable. Ideal for landscapes, art, portraits in close up, sports, action and much more.
11. Sony FE 12-24mm f/4 G
The widest full-frame E-mount lens from Sony. The ultra-wide 12-24 mm range features cutting-edge refinements at all apertures for breathtaking corner-to-corner G Lens clarity, while silent, fast, reliable autofocus makes it perfect for both movies and stills. For landscapes and architecture, it is an ideal option and is compact, lightweight, and mobile, meaning it can go anywhere the great shots are without slowing you down.
Telephoto Zoom Lenses
12. Sony FE 70-200mm f/2.8 GM OSS
Pro-grade picture performance and build. This Sony FE 70-200 mm f/2.8 GM lens is an exceptional lens, without a doubt, combining both the ultimate sharpness and stunning bokeh. It spans portrait-length to telephoto perspectives and is sharp, focuses rapidly, has minimal blur, perfect for photojournalists, sports and wedding photographers. Characterized by both its rapid f/2.8 maximum aperture and OSS (Optical SteadyShot) image stabilization inclusion, this lens is best suited for distant and fast-moving subjects’ handheld shooting.
13. Sony FE 70-200mm f/4 G OSS
This lens’s small size, robust 35 mm focal length, and excellent overall performance make it a perfect fit for E-mount lightweight 35 mm full-frame format bodies. This makes it handy anytime you want to distinguish the subject from the backdrop for portraits and sports photography. For less than half the rate, it is as bright as the f/2.8 edition, but not perfect when natural light is poor.
Lenses Optimized for Video
14. Sony FE PZ 28-135mm f/4 G OSS
The Sony FE PZ 28-135 mm f/4 G OSS Lens is a wide-ranging zoom lens designed to fulfill 4K production specifications, covering wide-angle telephoto views and incorporating several features for your full-frame a7 cameras. The optical architecture of the G series is suitable for HD and 4K filming.
Manual Focus Lenses
15. Zeiss Loxia 21mm f/2.8
The ultra-wide-angle Zeiss Loxia 21 mm f/2.8 Lens delivers excellent image efficiency considering its compactness, and it is incredibly sharp all the way to the corners. This focal length, with its wide picture angle, is an excellent addition to the Loxia lens family, whether architecture, landscape or even three-dimensional objects in close-up against a spacious backdrop. For wide-angle enthusiasts who always attempt manual focus and want to catch even the tiniest specifics of a special moment in a picture or on video, it is an absolute must. This Zeiss Loxia 21 mm is wider than Batis 18 mm but has an overall picture quality that is identical.
16. Sony FE 24-240mm f/3.5-6.3 OSS Lens
The best in luxury. A full-frame zoom range of 24 mm to 240 mm helps this lens to cover a wide range of shooting scenarios with an efficient zoom range of 10x, making it suitable for scenery, selfies, portraits and travel where baggage reduction is a necessity. The ability to turn from wide-angle to telephoto without moving lenses also suggests that it can catch more of those brief moments that make perfect shots. It is not super bright, it has healthy distortion levels, and the autofocus is mediocre. All in all, it is moderately priced and comfort is the ultimate option. And for those on a deficit, this is an okay option.