Sony offers a wide range of cameras – from affordable compact cameras to high-end professional models. Whatever your heart fits – we’re here to assist you in finding the best Sony camera.
Besides its own cameras, Sony produces many of the imaging sensors found in the digital cameras of fellow manufacturers. In its recent history, it was the first to bring several innovations to the market, including the first full-frame mirrorless cameras that are now well respected and have several different lines.
His rivals have now followed suit in an attempt to counter Sony’s success. Canon and Nikon introduced their own full-frame mirrorless options last year but Sony continues to gain appreciation among enthusiasts and professionals with several generations of valuable experience.
More charmingly, the fact that this mirrorless range is much longer than many of its competitors means that there are more directly compatible lenses and accessories available today. This is another reason to buy the Sony brand specifically.
Far from the mirrorless possibilities, Sony also saw considerable success in the conveniently portable design of physically bigger sensors. We have the premium RX compacts, which are twin one-inch large-for-their-class sensors with Zeiss optics.
Throw the traditional likes of travel zooms into a Sony product mix and bridge cameras/superzooms, and the brand quickly realizes that it has a camera suitable for most photographic disciplines, levels of experience and budgets. With a wide variety of products, we can help you choose and recommend the 10 best Sony cameras you can buy right now.
The “entry-level” full-frame mirrorless camera from Sony is undergoing its third redesign, and it’s better than ever, by certain counts. Among other upgrades, the Sony A7 III comes with a new 24MP sensor, a faster processor, and an extensively improved AF system, and as a result provides enhancements across the board compared to its predecessor: better image quality, better performance, better video, better interface, and better battery life. The A7 III provides such an assortment of outstanding efficiency, quality and features that it suits perfectly with many different styles of photographers and many fields of photography. The A7 III, at $2,000, is really a lot of bang for your buck.
Outstanding ISO performance and dynamic range; Better JPEG colors; Improved construction quality; Quick autofocus; Outstanding 4K video; Very good battery life. The new 24MP sensor provides excellent image quality.
Even with fast UHS-II cards, buffer clearing can be slow; UHS-II support on one card slot only; no losslessly compressed RAW option; dedicated battery charger not included; menus are still confusing; no built-in flash.
Sony’s A7R IV is an amazing camera. With unprecedented detail, the high-res 61MP sensor captures images. Plus, the Sony A7R IV is much more powerful than one would expect, with easy burst shooting, top-notch high ISO performance, fast AF, Real-Time Eye AF monitoring, 4K 30p video and in-body image stabilization. The picture files, however, are cumbersome, and the resolution is probably more than most individuals require. And the A7R IV is probably not inexpensive at about $3500 body-only. However, with all that it does, if you have the cash and need the resolving power, it’s tough not to suggest the A7R IV.
Excellent image quality; excellent high ISOs; fast Eye-AF tracking AF performance; maximum resolution 10fps bursts; better ergonomics; dual UHS-II card slots; higher-res EVF.
Expensive; No 4Kp60; Buffer clearing could be faster; Menus are still frustrating; Touchscreen underutilized; No built-in flash.
There’s a flagship full-frame mirrorless camera in the technical community! For pro sports and action photographers, the Sony A9 aims to dethrone the DSLR as the go-to option. The A9 is incredibly fast and precise, featuring a modern 24MP stacked sensor, a super-fast processor and burst speeds of up to 20fps with C-AF. The picture quality is outstanding and some of the best we’ve ever seen is its burst rate and C-AF chops. The Sony A9 looks promising all over, with a sturdy build, stronger battery, more buttons, and a price that undercuts Canon and Nikon’s flagship cams. Time can say if the pros make the move, but we agree they can certainly take it into consideration.
Excellent image quality at low & high ISOs; Very good dynamic range; Fantastic 20fps burst speed & deep buffer; Very good battery life for a mirrorless; 4K video; Dual card slots; The new sensor provides outstanding performance.
Slow buffer clearing; Only one card slot is UHS-II compatible; Touchscreen underutilized; No lossless RAW compression option; No 4K/60p option.
The Sony A6600 is an impressive camera, but it should have been a lot better. In its famous A6000-series APS-C mirrorless camera line, that is the consensus of reviewers who thought Sony did not go far enough with this “flagship” model. Sony definitely brings several key improvements to the A6600, including an impressive autofocus system that offers quick and precise real-time tracking to help lock in clearer shots on moving objects, such as individuals. In order to keep things safe, the A6600 also features the durable 5-axis in-body image stabilization and the powerful Z-series battery (also used on Sony’s full-frame mirrorless cameras), which provides a class-leading 810-shot charge. About the same moment, though, particularly in its camera design, which has bad ergonomics and cramped and fiddly buttons and controls, the A6600 seems oddly dated. The 24.2MP sensor of the camera and Bionz X sensor both do not break any new ground and it is surprising to Sony’s decision to only have one SD card slot for the slower UHS-1 classification. “a rare misfire” a rare misfire.
The Sony A6400 is essentially the ‘mid-range’ A6 series camera, clocking in above the A6100 and below the A6600. But it enables a smooth, high-quality autofocus system, as well as a powerful 4K video. It’s still picture quality isn’t especially outstanding so it’s better used for single-handed content production. The 180-degree screen flips up and down to face you, creating a more flattering perspective for your dialogue and facial expressions. The specifications of the top-of-the-range A6600 are better, but you have to be cautious not to pay for high-tech features you don’t need, such as cutting-edge AF or excessively short burst modes for any camera (and with Sony models in particular).
Sony also launched an entry-to intermediate-level APS-C mirrorless camera alongside the flagship A6600, which offers a similar list of specifications, features and performance enhancements along with an affordable, budget-friendly price.
The new Sony A6100 centers around a 24MP APS-C sensor and Sony’s latest BIONZ X image processor with front-end LSI technology, much like its higher-end A6600 relative. According to Sony, autofocus output is a stand-out feature of the A6100, with the sensor boasting 425 phase-detect AF points and a 0.02-second focal acquisition spec. The A6100 also provides AF with Eye AF features for real-time monitoring.
Sony has agreed to try something new in 2020. And now, the completely inexpensive entry point into the full-frame a7 lineup is their A7C, “C,” standing for a compact. Technically, opposite the a7 and beyond the a6000 lineups, it fits in a distinct class. And, in several ways, it’s practically a full-frame A6600. But, the producers of camera material seem to have ordered it.
On paper, much of the capacity is derived from the marginally more costly a7 III. Yet, oddly, with a distinct look corresponding to the a6600 in a streamlined profile closing. It also takes the spot as the world’s smallest and lightest full-frame camera with in-body stabilization at the same time.
Even a small compact system camera will, at times, feel a little bulky. The Mark VA is a slim and streamlined camera from Sony’s renowned point-and-shoot series with a permanently attached lens. The business strives to provide high levels of image quality by using a 1in-type image sensor with a decent 20.1MP resolution, which is relatively large for a compact camera. You can also get the RX100 VI in 35mm, which is a narrower aperture, and an even newer Sony RX100 VII. For us, however, the Sony RX100 VA offers the best combination of size, features, output and cost. Sony continues upgrading the current iterations of the Sony RX100, but the edition two ahead is the newest – the RX100 Mark 7. We assume the RX100 V/VA also gives you more bang for your buck in practice. You may find its worth paying the extra for the longer zoom range of the RX100 VI and VII, but you’ll also be paying for burst speeds, AF modes and video features which we feel are overkill in a pocket camera.
Despite its limited size, the HX99 boasts an 18.2MP image sensor, a pop-up viewfinder, a 3in a panel that tilts, and a versatile zoom lens that offers a 24-720mm equivalent focal length. There is a 5-axis image stabilizing device, which provides the best stabilization, particularly at long focal lengths. Integrated Wi-Fi and NFC are embedded into the camera. As a complimentary bonus, the screen has a selfie-friendly 180-degree tilt mechanism, which makes it perfect for traveling photographers when taking pictures of themselves.
To stick out, a point-and-shoot compact needs to distinguish itself from the mobile in the industry. The best feature of the Sony WX220 is the 10x optical zoom that goes way further than the lenses on most point-and-shoot cameras. It doesn’t have too many frills otherwise, and the 2.7in LCD panel looks a little tiny relative to what’s out there in the rest of the industry, but what it does, it does well, with pictures coming out vivid and punchy with a good amount of clarity. The WX220 is worth a look if you want a compact camera with a larger-than-average lens that the entire family will use.