Landscape photography is among the most common forms of amateur as well as professional photographers. For landscape photography, we have reviewed the best Nikon lenses to help you pick the best lens for your Nikon.
Choosing the Right Nikon Lens for Landscape Photography
It can be amazing to fly, discover, await the beautiful light and just appreciate the time in nature. You shouldn’t be thinking about having to find out what your gear is. Our goal is to simplify photography’ so you can catch the moments as well as appreciate them.
Although your camera is an effective instrument when it comes to taking landscape images, the lenses you use play a far greater function. The most significant aspect is your preference for focal length. While you could photograph with just about any lens technically speaking, going with an incredibly wide angle would encourage you to catch so much more. And reveal more about the scenario or scene to your audience.
Then what lens is the perfect size for landscapes? That really hinges on what you’d rather fire. Our below lists are arranged from the widest (capturing as much of the scene as possible) to the longest (isolating wildlife or a particular subject).
Landscape shooters normally own an FX DSLR due to not having any crop factor. However, for those of you who own a Nikon with a DX sensor, there are plenty of excellent choices.
It can be tricky to choose a lens for landscape photography because a lot of lenses are available. Based on consistency, we reviewed Nikon, Sigma, and Tamron’s best landscape lenses and built this list of our very best choices.
How to Pick a Landscape Lens?
The best Nikon landscape lens in the telephoto range is either incredibly large or entirely the opposite. Trying to find out which is the best Nikon wide-angle lens?
Broad angle lenses are the most common lengths used to photograph landscapes. This is because they allow you to catch pretty much everything you see. In other words for the scene you are filming they have a sider point of view. Anything below 20mm is known to be extremely wide-angle, while 20-35mm is broad.
Telephoto lenses are excellent for isolating a single subject or capturing animals that you will meet on trips. Definitely, it depends on the photographic style. We just consider using a telephoto lens if you’ve been using a wide one for a long time already.
And what is the perfect focal length for photographing wildlife? We would recommend as much as 300mm as a minimum. Even so, 500mm will allow you more options for any animals or birds you encounter. This article is primarily targeted to landscapes so you can find we have no lenses listed at those ranges. If you are interested in photos of Bird and Wildlife then check out the article from our partner for the best Nikon lenses fit for that.
Note that a DX/APS-C sensor has a 1.5x crop multiplier, too. For example, on a DX camera such as the Nikon D3400 a 24-70mm lens has a field of view equal to a 36-105mm lens (focal length x 1.5 = the “true” focal length). A 36-105mm is no longer wide, so Nikon built ultra-wide lenses that were only produced for DX cameras, so they are still pretty wide even with the crop factor in mind (like the 3 lenses we mentioned above).
Lenses below 35mm are considered wide, are exceptionally wide under 20mm and are most widely used for landscape photography
Typically you don’t shoot at f/2.8, at least not while attempting to hit a wide field depth which is more or less a standard for landscape photography. You normally fire between f/5.6 and f/16, so you want it all worth shooting.
This means that you don’t have to think about having the highest aperture. And if the day gets cooler you probably will want to fire with a wide window. But in this situation providing Image Stabilization would be a lot more helpful. Many lenses below give support to up to 4 stops, so you can fire at 1/8 instead of 1/125.
If you need a lens for more than just landscape then try having an f/2.8 (for low light) anyway so you shouldn’t care about it for purely outdoor work.
Primes would be a better option for astrophotography because of their f/1.4 to f/2.8 apertures.
Auto Focus vs Manual Focus
If you are using a tripod (highly recommended, or at least a monopod), the Live View feature would possibly concentrate on you manually. Getting a swift AF would have no impact on your look.
But it still helps to have a fast, precise AF, just in case you are traveling without a tripod or shooting something on the go. Fortunately, all of our lenses below are auto-focused consistently. It just helps to realize that there is no reason to overpay for an AF-based lens alone if any of your subjects are not going at all.
Weight & Size
All too much we forgot that you do have to cart it around for hours to get the shots you like as cool as a lens can look on paper.
Weight and height are paramount. It does not look like it at first, but there is quite a major gap between the weight of an f/2.8 and f/4 zoom. If you have to hike really far you can really find this. You can search our links below for the exact weight of each lens.